Average Rating: 4.8/10
Reviews Counted: 81
Fresh: 18 | Rotten: 63
A well-intentioned but melodramatic look at post-Apartheid South Africa.
Average Rating: 5.1/10
Critic Reviews: 28
Fresh: 6 | Rotten: 22
A well-intentioned but melodramatic look at post-Apartheid South Africa.
liked it
Average Rating: 3.3/5
User Ratings: 3,148
The many emotional scars left by South Africa's history of institutionalized racism come under the microscope in this drama. As South Africa comes to terms with the legacy of apartheid, their government has created the Truth and Reconciliation Commission, in which the perpetrators of racial violence and injustice must come face to face with their victims if they are to be forgiven for their crimes. Langston Whitfield (Samuel L. Jackson) is an African-American journalist who is assigned to cover
Mar 11, 2005 Wide
Jul 5, 2005
Sony Pictures Classics
All Critics (87) | Top Critics (28) | Fresh (18) | Rotten (64) | DVD (5)
It shows what can go wrong when a good-intentioned filmmaker mixes historical tragedy with Hollywood banality.
Ostensibly about the aftermath of apartheid, but the pain of a people serves only as a backdrop for the most contrived of love stories.
Is it a docudrama about South Africa's post-apartheid Truth and Reconciliation Commission hearings? Or is it love story? The problem with In My Country is that it tries to be both.
Black, white and clunky.
Need[s] to be seen, as essential history and as demonstration of a form of social reckoning where compassion triumphs over passion, and the olive branch over the gun.
Failing to get beyond trite Hollywood romantic conventions, sermonizing caricatures and 'I was just following orders' explanations does a great disservice to history.
In spite of narrative missteps that negate the possibility of an empathetic protagonist, "In My Country" does viably introduce the African principle of "Ubuntu" whereby evil transgressions are absolved rather than revenged.
A familiar, superficial lesson.
The film's affecting ingredients are unimpeachably genuine, but this rendering for the most part rings dramatically hollow.
Points for trying and all, but this particular chapter of South Africa's history deserves a movie a bit more sincere -- and a lot less corny.
Intelligent piece that does its job as entertainment. More importantly, it should advance public knowledge about the apartheid government's human rights violations.
Watching [apartheid victims'] testimony become background noise for Jackson and Binoche's tawdry melodrama is aggravating.
Its star, Juliette Binoche, may be a fine actress, but she's also very French. And no matter how hard she tries to perfect the tricky Afrikaans accent, she's simply not believable playing a South African poet.
I do not question the filmmaker's sincerity, but he has made a flat, uninvolving movie. The road to boredom is paved with good intentions, after all.
...the foxhole relationship that develops between Anna and Langston is completely natural -- up until the point where they fall into bed together.
The gripping material is given short thrift in favor of routine melodrama and a love story that has nearly nothing to do with what should be the crux of the story.
There is great material here and ample food for thought, but the presentation is lacking.
You feel insulted you're expected to care about the petty problems of the leads when other characters are dealing with child murder, political torture and genocide.
The film itself? Juliette Binoche's South African accent? Eh. The story and the recent history of South Africa? very interesting.
January 15, 2011an importamt film, especially in these times,. discussion of nations and the impact of segregation and further, aparteid torture has on the individual and the world. if you wonder how to show compassion to those who have caused harm, without more violence, this is a must see.
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