It's one of the strongest, most horrifying debuts of the year.
In My Skin (2003)
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Reviews Counted:40
Fresh:26
Rotten:14
Average Rating:6/10
Theatrical Release:Nov 7, 2003 Limited
Synopsis: After suffering some deep gashes to her leg from an accidental fall, Esther (Marina de Van), a young business writer, becomes preoccupied with her body and skin, especially her wounds. At first she... After suffering some deep gashes to her leg from an accidental fall, Esther (Marina de Van), a young business writer, becomes preoccupied with her body and skin, especially her wounds. At first she merely caresses her arms, pinches her excess skin, or traces the cuts on her legs, but it isn't long before she is incising wounds directly and aggressively into her own body. Her boyfriend (Laurent Lucas) becomes understandably concerned and angry, but his inability to empathize alienates Esther, and she seeks reclusion to explore her newfound practice. With increased urgency, she turns an unapologetic knife or razor upon her own skin, alternately gorging on the vampiric ecstasy or the brutally masochistic annihilation of her own flesh and blood. The film stays ominously quiet as to what and why this is happening--social, professional, biological pressures all seem relevant but somehow insufficient explanations--and Esther is too indifferent to question her new predilections, too servile to them. While deeply influenced by the work of David Cronenberg (THE FLY, NAKED LUNCH, CRASH), the film is more reliant on feminist and avant garde performance art from the sixties and seventies, namely the work of Marina Abramovic, Ana Mendieta, Carolee Schneemann, and Hermann Nitsch. Intensely graphic, IN MY SKIN examines the body as a boundary and as a battleground for the worlds it stands in between. [More]
Starring: Marina De Van, Laurent Lucas, Lea Drucker
Starring: Marina De Van, Laurent Lucas, Lea Drucker
Director: Marina De Van
Director: Marina De Van
Screenwriter: Marina De Van
Producer: Laurence Farenc
Composer: E.S.T. (Esbjorn Svensson Trio)
Studio: Wellspring
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Reviews for In My Skin
As her own object of self-desire, the appropriately toothsome de Van charts Esther's obsessive compulsion with well-controlled conviction.
I'm not sure if the film is brutally honest or exploiting a tragic disorder. I felt drained when I left the theatre; the more I thought about it, the less satisfied I was.
...without a single glimpse into what makes Esther tick, it's impossible to feel a single thing towards her except apathy.
How “numb” do you have to be in order not to know that you’ve seriously injured yourself?
Lacking Cronenberg's or David Lynch's cinematic style, the film eventually becomes a numbing, repetitive and, yes, gross exercise in would-be shock value.
Winds up seeming little more than a grisly exercise in well-calibrated acting and what one hopes are well-executed special effects.
Walks the thin line between a vanity project and an original exploration into pathology.
If you can get beyond the ick factor, there awaits an accomplished movie in the tradition of David Cronenberg, in which the body's festering serves as a departure point for an exploration of what makes humans tick.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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