Campion hits the same thematic ground with the same passionate release as she did in The Piano (1993) and the underrated Holy Smoke (1999).
In the Cut (2003)
Tomatometer
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Reviews Counted:144
Fresh:48
Rotten:96
Average Rating:4.7/10
Consensus: Ryan is very good playing against type, but Campion's good-looking thriller is far from thrilling.
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 22, 2003 Limited
Box Office: $4,717,455
Synopsis: The acclaimed New Zealand director Jane Campion (THE PIANO) turns her unusual artistic eye toward the urban erotic thriller genre. Based on the novel by Susanna Moore, IN THE CUT tells the story of... The acclaimed New Zealand director Jane Campion (THE PIANO) turns her unusual artistic eye toward the urban erotic thriller genre. Based on the novel by Susanna Moore, IN THE CUT tells the story of Frannie (Meg Ryan) an English teacher living in Manhattan's East Village who finds herself mixed up in a homicide investigation after a severed head turns up in her garden. Jennifer Jason Leigh is her sexually unhinged half-sister and Mark Ruffalo plays a homicide detective who falls into bed with Frannie after she's attacked on the Lower East Side. Suspects include her stalker ex-lover (Kevin Bacon) and a troubled student (Sharrieff Pugh) who's obsessed with serial killer John Wayne Gacy. As the body count rises however, Frannie realizes that the prime suspect just may be the very cop in her bed. If this all sounds like a by-the-numbers sex crime thriller don't worry; Campion twists the genre towards her own ends, adding multi-layered focus, deeply saturated colors, a dream-like mood and copious amounts of feminist allegorical symbolism. Meg Ryan fans should be shocked by her performance here (replete with several nude scenes), which is a major departure from her usual cute characterizations. Nicole Kidman, who starred in Campion's PORTRAIT OF A LADY served as producer. Fans of that film, and Campion's work in general, should enjoy the perverse psychosexual theatrics on display in this grim urban fairy tale. [More]
Starring: Meg Ryan, Mark Ruffalo, Kevin Bacon, Jennifer Jason Leigh
Starring: Meg Ryan, Mark Ruffalo, Kevin Bacon, Jennifer Jason Leigh, Sharrieff Pugh
Director: Jane Campion
Director: Jane Campion
Screenwriter: Jane Campion, Susanna Moore
Producer: Nicole Kidman, Laurie Parker
Composer: Hilmar örn Hilmarsson
Studio: Screen Gems
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Reviews for In the Cut
Generates some genuine suspense, and it has loads of menacing atmosphere -- much of it created by Campion's succession of clever, imaginative, sexually teasing directorial touches.
In the Cut is almost always compelling, even when its true-crime plot machinations appear obvious and flawed.
Film theory students researching the sexual content of movies by women directors are probably the only viewers who will be satisfied...
If your reason for seeing In the Cut is to watch America's sweetheart stripped bare, you'll get what you're looking for. On the other hand, if you're looking for a good movie, this one will disappoint.
Stylish, clever, and full of insight into the darker side of both male and female sexuality...
(Feels) less like a thriller and more like a fantasy of feminine self-hatred in which being manhandled by vile men is a turn-on.
As much as Meg Ryan wants to win an Academy Award, unfortunately, she doesn't make the cut.
A failed thriller, if a thriller it was intended to be. But it is a great success as... a study of female sexual psychology in a world of hypermasculine violence.
Campion creates a nearly lethal dose of emotion-deprivation, turning spine tickling dread into something nearly dreadful.
The characters ... are repeatedly forced to take a backseat not only to tired thriller elements but also to Campion's misplaced sense of artful abstraction.
A fascinating, invasive little movie... it tries to flip misogynist masturbation fantasies on their backs and into woman-on-top affirmations.
It's been a while since a major filmmaker has made a movie this heavy with symbolism, this portentous, and this bad.
wants to discomfit us by delving into the psychological underpinnings of sex and violence and yet succeeds only in making us feel sorry for the people who tried so hard and came up with bupkis
There's a theme that runs through In the Cut: Men are psychos; women are pathetic.
[A] story-hungry murder mystery that flubs its whodunit fundamentals.
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September 28, 2003:
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