Quickly deteriorates into a jumbled mess of naked limbs and muddled plot.
In the Cut (2003)
Tomatometer
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Reviews Counted:144
Fresh:48
Rotten:96
Average Rating:4.7/10
Consensus: Ryan is very good playing against type, but Campion's good-looking thriller is far from thrilling.
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 22, 2003 Limited
Box Office: $4,717,455
Synopsis: The acclaimed New Zealand director Jane Campion (THE PIANO) turns her unusual artistic eye toward the urban erotic thriller genre. Based on the novel by Susanna Moore, IN THE CUT tells the story of... The acclaimed New Zealand director Jane Campion (THE PIANO) turns her unusual artistic eye toward the urban erotic thriller genre. Based on the novel by Susanna Moore, IN THE CUT tells the story of Frannie (Meg Ryan) an English teacher living in Manhattan's East Village who finds herself mixed up in a homicide investigation after a severed head turns up in her garden. Jennifer Jason Leigh is her sexually unhinged half-sister and Mark Ruffalo plays a homicide detective who falls into bed with Frannie after she's attacked on the Lower East Side. Suspects include her stalker ex-lover (Kevin Bacon) and a troubled student (Sharrieff Pugh) who's obsessed with serial killer John Wayne Gacy. As the body count rises however, Frannie realizes that the prime suspect just may be the very cop in her bed. If this all sounds like a by-the-numbers sex crime thriller don't worry; Campion twists the genre towards her own ends, adding multi-layered focus, deeply saturated colors, a dream-like mood and copious amounts of feminist allegorical symbolism. Meg Ryan fans should be shocked by her performance here (replete with several nude scenes), which is a major departure from her usual cute characterizations. Nicole Kidman, who starred in Campion's PORTRAIT OF A LADY served as producer. Fans of that film, and Campion's work in general, should enjoy the perverse psychosexual theatrics on display in this grim urban fairy tale. [More]
Starring: Meg Ryan, Mark Ruffalo, Kevin Bacon, Jennifer Jason Leigh
Starring: Meg Ryan, Mark Ruffalo, Kevin Bacon, Jennifer Jason Leigh, Sharrieff Pugh
Director: Jane Campion
Director: Jane Campion
Screenwriter: Jane Campion, Susanna Moore
Producer: Nicole Kidman, Laurie Parker
Composer: Hilmar örn Hilmarsson
Studio: Screen Gems
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Reviews for In the Cut
A failed thriller, if a thriller it was intended to be. But it is a great success as... a study of female sexual psychology in a world of hypermasculine violence.
As a straight-up erotic thriller, In the Cut is too self-possessed, scattered and moody to function.
In a sense, it's a Rorschach test of what it's like to be single, 40ish, female and living alone in New York City.
The impression left is that one can turn a serial-killer movie into a pretentious art-house film, but why would you want to?
In the Cut is almost always compelling, even when its true-crime plot machinations appear obvious and flawed.
While it is bold, ambitious and often striking, In The Cut isn't as incisive as it pretends to be.
It's been a while since a major filmmaker has made a movie this heavy with symbolism, this portentous, and this bad.
Derivative, idiotic thriller that is devoid of any suspense, logic or intelligence.
All of this is well done, and yet the movie is kind of a shambles. The key supporting characters are awkwardly used, as if the movie thinks it ought to have them but doesn't know why.
Campion impudently sabotages her star's history, and Ryan, joining the plot, makes Frannie come alive, looking as provocatively out of place as Diane Keaton did playing the nymphomaniac teacher in the sexual hell of 1977's Looking for Mr. Goodbar.
É uma pena constatar que, afinal de contas, Meg Ryan tirou a roupa por um filme que, ironicamente, também se encontra despido. Neste caso, de méritos artísticos.
Campion creates a nearly lethal dose of emotion-deprivation, turning spine tickling dread into something nearly dreadful.
Latest News for In the Cut
September 28, 2003:
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