a fabulous performance by Ruffalo in a thoroughly disastrous film...the cheesiest of serial killer beach reads given the gloss of art house pretension
In the Cut (2003)
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Reviews Counted:144
Fresh:48
Rotten:96
Average Rating:4.7/10
Consensus: Ryan is very good playing against type, but Campion's good-looking thriller is far from thrilling.
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 22, 2003 Limited
Box Office: $4,717,455
Synopsis: The acclaimed New Zealand director Jane Campion (THE PIANO) turns her unusual artistic eye toward the urban erotic thriller genre. Based on the novel by Susanna Moore, IN THE CUT tells the story of... The acclaimed New Zealand director Jane Campion (THE PIANO) turns her unusual artistic eye toward the urban erotic thriller genre. Based on the novel by Susanna Moore, IN THE CUT tells the story of Frannie (Meg Ryan) an English teacher living in Manhattan's East Village who finds herself mixed up in a homicide investigation after a severed head turns up in her garden. Jennifer Jason Leigh is her sexually unhinged half-sister and Mark Ruffalo plays a homicide detective who falls into bed with Frannie after she's attacked on the Lower East Side. Suspects include her stalker ex-lover (Kevin Bacon) and a troubled student (Sharrieff Pugh) who's obsessed with serial killer John Wayne Gacy. As the body count rises however, Frannie realizes that the prime suspect just may be the very cop in her bed. If this all sounds like a by-the-numbers sex crime thriller don't worry; Campion twists the genre towards her own ends, adding multi-layered focus, deeply saturated colors, a dream-like mood and copious amounts of feminist allegorical symbolism. Meg Ryan fans should be shocked by her performance here (replete with several nude scenes), which is a major departure from her usual cute characterizations. Nicole Kidman, who starred in Campion's PORTRAIT OF A LADY served as producer. Fans of that film, and Campion's work in general, should enjoy the perverse psychosexual theatrics on display in this grim urban fairy tale. [More]
Starring: Meg Ryan, Mark Ruffalo, Kevin Bacon, Jennifer Jason Leigh
Starring: Meg Ryan, Mark Ruffalo, Kevin Bacon, Jennifer Jason Leigh, Sharrieff Pugh
Director: Jane Campion
Director: Jane Campion
Screenwriter: Jane Campion, Susanna Moore
Producer: Nicole Kidman, Laurie Parker
Composer: Hilmar örn Hilmarsson
Studio: Screen Gems
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Reviews for In the Cut
In The Cut falls short on execution, with Campion’s unique and powerful vision undermined by the conventions of a traditional genre.
Disastrously directed by Jane Campion, it is a DOA thriller that, when it should be boiling, can't even warm up to a slow simmer.
If your reason for seeing In the Cut is to watch America's sweetheart stripped bare, you'll get what you're looking for. On the other hand, if you're looking for a good movie, this one will disappoint.
Meg Ryan habitually misplaces her clothes, Mark Ruffalo may or may not be playing a serial killer and there's a scene where a man cuts a woman's leg into sections with ice skates. I dare you to be bored.
A disjointed, sometimes fascinating melange of moods, associations and effects.
Jane Campion creates a movie that has dread prowling around every corner -- and the symbolism pours off the screen.
It's a throwback to the New York policiers of the Koch era, yet wacky enough to suggest a procedural in the Land of Oz.
Derivative, idiotic thriller that is devoid of any suspense, logic or intelligence.
Shot (and edited) rather stylishly, but it seems like such a waste when the film's story is, aside from being quite dark, so run-of-the-mill.
Fails to hit those all-important marks intrinsic to the success of every screen crime thriller.
Challenging and bracing ... and somewhat wearying! But the film emerges triumphant due to sensitive performances from Ryan and Ruffalo.
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September 28, 2003:
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