Just what we need. Another formula indie dramedy that tries to be Garden State, but winds up being merely garden variety.
In the Land of Women (2007)
Tomatometer
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Reviews Counted:112
Fresh:48
Rotten:64
Average Rating:5.3/10
Consensus: While pleasantly acted, In the Land of Women is a dramatically stilted film with underdeveloped characters.
Rated: PG-13 [See Full Rating] for sexual content, thematic elements and language
Runtime: 1 hr 40 mins
Genre: Los Angeles, California, Romantic Comedy, Romance, Theatrical Release
Theatrical Release:Apr 20, 2007 Wide
Box Office: $11,001,271
Synopsis: IN THE LAND OF WOMEN is a surprisingly somber yet funny coming-of-age tale from director Jonathan Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the... IN THE LAND OF WOMEN is a surprisingly somber yet funny coming-of-age tale from director Jonathan Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the night-time teen soap THE O.C. Brody, playing a character his own age, breezily inhabits Carter, a loveable but somewhat directionless screenwriter (if you count soft-core porn films) who is dumped by his beautiful but shallow starlet girlfriend Sofia at the start of the film. In crisis mode, he packs up and heads to the Detroit suburb where his senile grandmother (Olympia Dukakis) lives, in an attempt to help her out and get some perspective. While desperately trying to make sense of his grandmother's incoherent ramblings, Carter slaves away at a long-coming screenplay and creates confusing friendships with the mother (Meg Ryan) and daughter (Kristen Stewart) next door. While the film sometimes seems to be grasping for something it can't quite find, it is entertaining throughout, especially for fans of Brody. Thanks to some clever dialogue, quirky characters, and Brody's oddball line delivery, IN THE LAND OF WOMEN manages to get more than a few laughs. That said, the film also deals with serious issues like sickness and death in a lighthearted way. Ryan and Stewart both add depth to what could be one-dimensional characters, and while Brody's performance doesn't feel like much of a stretch, it's nice to see the actor moving towards some slightly more adult material. Kasdan packs the film to the brim with indie pop songs, providing a hip soundtrack for a story that feels contemporary by refusing to fit the traditional romantic-comedy mold. [More]
Starring: Adam Brody, Meg Ryan, Kristen Stewart, Makenzie Vega
Starring: Adam Brody, Meg Ryan, Kristen Stewart, Makenzie Vega, Clark Gregg, Elena Anaya, Olympia Dukakis, Dustin Milligan
Director: Jon Kasdan
Director: Jon Kasdan
Screenwriter: Jon Kasdan
Producer: Steve Golin, David Kanter, Barbara Kelly
Composer: Stephen Trask
Studio: Warner Bros.
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Reviews for In the Land of Women
In the Land of Women combines hugs and ''pain'' and dialogue so fakey-cute it makes your ears hurt.
it is amazing to discover just how much this absorbing, intelligent picture has going for it: a strong sense of time and place, interesting characters, painfully sincere direction and an intriguing scenario that pauses and breathes in all the right places
a near-two-hour marathon of phony soul-searching by suburban caricatures set to a grating soundtrack
Why make a garrulous movie about people in crisis if Olympia Dukakis winds up muzzled? Of all the troubled gabbers in Kasdan's film, the prickliest and most proficient is wasted in a few brief scenes.
There's no denying that "In the Land of Women" has its moments of endearment, but Jon Kasdan's weepy coming-of-age dramedy lacks emotional authenticity.
Wistful and uneven, Jonathan Kasdan's [drama] is like Garden State by way of a John Hughes movie -- but less engaging than either.
Most of this is harmless enough, but Kasdan's Hollywood logic is simply too implausible.
Only slightly less clumsy overall than Against the Ropes, but at least it plays to co-star Meg Ryan’s ability to suggest volumes of repressed emotion.
First-time writer/director Jon Kasdan’s witty dialogue mixed with Brody’s pitch-perfect portrayal of the lovable loser make this film different and worth seeing.
If first-time director Jon Kasdan had something more thematically devastating in mind when he wrote Women, you'd never know it from the final product.
A decent film that doesn't occupy a single neat genre category, and often doesn't seem able to decide who it's trying to speak to.
In the Land of Women exhibits enough kindness and empathy throughout that it passes the test of a slice-of-life movie: You miss these people once the film ends.
The film belongs to Brody, irritating and endearing and relatable in ways that actors rarely are.
Kasdan has talent and intelligence, but he hasn't quite figured out how to tackle this story.
It feels like Kasdan has piled one event on top of another on top of another, as opposed to building a believable story arc.
Latest News for In the Land of Women
April 28, 2007:
Trailer & Poster review ![]()
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April 22, 2007:
Box Office Wrapup: New Films No Match For Scary Shia
In the battle of the single-word-titled thrillers, "Fracture" beat out "Vacancy" but neither could dislodge "Disturbia" from the number one spot... More...
April 19, 2007:
Box Office Guru Preview: "Vacancy" Hopes for Full Occupancy
Another week, another horror film. That's the mantra in Hollywood at the moment. Among the four new films going into wide release this weekend are Sony's terror tale... More...
April 19, 2007:
Critical Consensus: Check In With "Vacancy"; "Fracture" Is Solid; "Fuzz" is Hot; "Women" Is Not
This week at the movies, we've got motel hells ("Vacancy," starring Luke Wilson and Kate Beckinsale), legal battles ("Fracture," starring Anthony Hopkins and... More...
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