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In the Land of Women (2007)
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Reviews Counted:112
Fresh:48
Rotten:64
Average Rating:5.3/10
Consensus: While pleasantly acted, In the Land of Women is a dramatically stilted film with underdeveloped characters.
Rated: PG-13 [See Full Rating] for sexual content, thematic elements and language
Runtime: 1 hr 40 mins
Genre: Los Angeles, California, Romantic Comedy, Romance, Theatrical Release
Theatrical Release:Apr 20, 2007 Wide
Box Office: $11,001,271
Synopsis: IN THE LAND OF WOMEN is a surprisingly somber yet funny coming-of-age tale from director Jonathan Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the... IN THE LAND OF WOMEN is a surprisingly somber yet funny coming-of-age tale from director Jonathan Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the night-time teen soap THE O.C. Brody, playing a character his own age, breezily inhabits Carter, a loveable but somewhat directionless screenwriter (if you count soft-core porn films) who is dumped by his beautiful but shallow starlet girlfriend Sofia at the start of the film. In crisis mode, he packs up and heads to the Detroit suburb where his senile grandmother (Olympia Dukakis) lives, in an attempt to help her out and get some perspective. While desperately trying to make sense of his grandmother's incoherent ramblings, Carter slaves away at a long-coming screenplay and creates confusing friendships with the mother (Meg Ryan) and daughter (Kristen Stewart) next door. While the film sometimes seems to be grasping for something it can't quite find, it is entertaining throughout, especially for fans of Brody. Thanks to some clever dialogue, quirky characters, and Brody's oddball line delivery, IN THE LAND OF WOMEN manages to get more than a few laughs. That said, the film also deals with serious issues like sickness and death in a lighthearted way. Ryan and Stewart both add depth to what could be one-dimensional characters, and while Brody's performance doesn't feel like much of a stretch, it's nice to see the actor moving towards some slightly more adult material. Kasdan packs the film to the brim with indie pop songs, providing a hip soundtrack for a story that feels contemporary by refusing to fit the traditional romantic-comedy mold. [More]
Starring: Adam Brody, Meg Ryan, Kristen Stewart, Makenzie Vega
Starring: Adam Brody, Meg Ryan, Kristen Stewart, Makenzie Vega, Clark Gregg, Elena Anaya, Olympia Dukakis, Dustin Milligan
Director: Jon Kasdan
Director: Jon Kasdan
Screenwriter: Jon Kasdan
Producer: Steve Golin, David Kanter, Barbara Kelly
Composer: Stephen Trask
Studio: Warner Bros.
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Reviews for In the Land of Women
Why make a garrulous movie about people in crisis if Olympia Dukakis winds up muzzled? Of all the troubled gabbers in Kasdan's film, the prickliest and most proficient is wasted in a few brief scenes.
Wistful and uneven, Jonathan Kasdan's [drama] is like Garden State by way of a John Hughes movie -- but less engaging than either.
Most of this is harmless enough, but Kasdan's Hollywood logic is simply too implausible.
Only slightly less clumsy overall than Against the Ropes, but at least it plays to co-star Meg Ryan’s ability to suggest volumes of repressed emotion.
If first-time director Jon Kasdan had something more thematically devastating in mind when he wrote Women, you'd never know it from the final product.
It feels like Kasdan has piled one event on top of another on top of another, as opposed to building a believable story arc.
The whole mess feels like a television pilot that was never picked up.
Ah, poor poor Carter. Will he emerge strengthened or diminished by his encounters in this faraway land?
I'm not sure what world of women Kasdan experienced to define his characters, but in In the Land of Women they're about as realistic and interesting as cardboard.
Just what we need. Another formula indie dramedy that tries to be Garden State, but winds up being merely garden variety.
The movie is shot well -- especially for a first-timer. But after a while the semi-realized, semi-familiar story line weighs it down, as do the loads and loads of talk.
It hits all the emotional cues right on schedule, pushing an audience's buttons with dull factory precision.
The acting is good, which really is no reason alone to spend good money on seeing this throwaway picture in the theater.
The scent of narcissism wafting off the screen in Jonathan Kasdan's dreary directorial debut is so overpowering, you'd be wise to walk into the theater wearing a gas mask.
As a portrait of a young man's rather late coming-of-emotional-age, it's pleasant but unexceptional...firmly situated in the mediocre middle.
Shows very little respect for women and makes a youthful male soft-core porn writer into a supposed seer dispensing wisdom.
Latest News for In the Land of Women
April 28, 2007:
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April 19, 2007:
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