This potentially saccharine weepy has an authentic ring, thanks to Jon Kasdan's script and a cast capable of delivering clever lines that sound just about right for whatever situation they're in.
In the Land of Women (2007)
Tomatometer
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Reviews Counted:112
Fresh:48
Rotten:64
Average Rating:5.3/10
Consensus: While pleasantly acted, In the Land of Women is a dramatically stilted film with underdeveloped characters.
Rated: PG-13 [See Full Rating] for sexual content, thematic elements and language
Runtime: 1 hr 40 mins
Genre: Romance, Theatrical Release, Romantic Comedy, Los Angeles, California
Theatrical Release:Apr 20, 2007 Wide
Box Office: $11,001,271
Synopsis: IN THE LAND OF WOMEN is a surprisingly somber yet funny coming-of-age tale from director Jonathan Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the... IN THE LAND OF WOMEN is a surprisingly somber yet funny coming-of-age tale from director Jonathan Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the night-time teen soap THE O.C. Brody, playing a character his own age, breezily inhabits Carter, a loveable but somewhat directionless screenwriter (if you count soft-core porn films) who is dumped by his beautiful but shallow starlet girlfriend Sofia at the start of the film. In crisis mode, he packs up and heads to the Detroit suburb where his senile grandmother (Olympia Dukakis) lives, in an attempt to help her out and get some perspective. While desperately trying to make sense of his grandmother's incoherent ramblings, Carter slaves away at a long-coming screenplay and creates confusing friendships with the mother (Meg Ryan) and daughter (Kristen Stewart) next door. While the film sometimes seems to be grasping for something it can't quite find, it is entertaining throughout, especially for fans of Brody. Thanks to some clever dialogue, quirky characters, and Brody's oddball line delivery, IN THE LAND OF WOMEN manages to get more than a few laughs. That said, the film also deals with serious issues like sickness and death in a lighthearted way. Ryan and Stewart both add depth to what could be one-dimensional characters, and while Brody's performance doesn't feel like much of a stretch, it's nice to see the actor moving towards some slightly more adult material. Kasdan packs the film to the brim with indie pop songs, providing a hip soundtrack for a story that feels contemporary by refusing to fit the traditional romantic-comedy mold. [More]
Starring: Adam Brody, Meg Ryan, Kristen Stewart, Makenzie Vega
Starring: Adam Brody, Meg Ryan, Kristen Stewart, Makenzie Vega, Clark Gregg, Elena Anaya, Olympia Dukakis, Dustin Milligan
Director: Jon Kasdan
Director: Jon Kasdan
Screenwriter: Jon Kasdan
Producer: Steve Golin, David Kanter, Barbara Kelly
Composer: Stephen Trask
Studio: Warner Bros.
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Reviews for In the Land of Women
In the Land of Women is a pretty enough place to visit (particularly the design-mag interiors of Ryan's character's home, all precisely coordinated to match her eyes), but as a movie it appears to have nothing to say.
Brody's apparent ease in his own skin and his skills as a listener make Carter an engaging fellow and make it understandable why, as soon as he moves to town, people start confiding in him.
In the Land of Women exhibits enough kindness and empathy throughout that it passes the test of a slice-of-life movie: You miss these people once the film ends.
reminiscent of those dreaded "and then I suddenly realized something" stories that surface week after week in college writing workshops. ...There are a few superb moments... they sparkle like a handful of diamonds scattered across a sandbox.
Somehow, Kasdan's script is able to gloss over potential sand traps, and heads into the safer territory of emotional redemption for all involved.
Wistful and uneven, Jonathan Kasdan's [drama] is like Garden State by way of a John Hughes movie -- but less engaging than either.
Kasdan could use a few more screenwriting lessons from his Oscar-nominated father, but he's off to a decent start.
The movie seemed to be getting along fine without the melodrama. At times, it seems to be getting along just fine without Carter, but maybe that's just me.
Solid acting, especially from the women, and a few good Colin Farrell jokes make this familiar tale better than it probably should be.
One of those films in formed by intimate personal experience -- the experience of seeing Garden State.
The meek, mopey comedy In the Land of Women is the film equivalent of a sensitive emo band with one foot in alternative rock and the other in the squishy pop mainstream: a softer, fuzzier Garden State.
There may be no logical answers, but even so, this trip to Kasdan's land of women ends up being more of a good idea than a bad one.
Apart from leaning a bit much on his soundtrack and letting Olympia Dukakis indulge her crazy-granny jones, Kasdan does his work with a largely steady hand.
[Kasdan] has drawn such terrific performances from his players that the film’s shortcomings are excusable.
Kasdan displays a whimsical sense of humour that translates nicely to the screen. It will be interesting to see what he does next.
Why make a garrulous movie about people in crisis if Olympia Dukakis winds up muzzled? Of all the troubled gabbers in Kasdan's film, the prickliest and most proficient is wasted in a few brief scenes.
With dialogue that is often precious though occasionally thoughtful, Kasdan has made a film that's not bad, just irritating.
Latest News for In the Land of Women
April 28, 2007:
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April 19, 2007:
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