In the Name of the Father (1993)
Runtime: 2 hrs 13 mins
Synopsis: Based on Gerry Conlon's autobiography, PROVED INNOCENT, Jim Sheridan's IN THE NAME OF THE FATHER tells the tumultuous and wrenching tale of a man wrongfully imprisoned in 1974 for the bombing of a London pub. Daniel Day-Lewis stars as Conlon, a young Irish petty thief living in London who gets... Based on Gerry Conlon's autobiography, PROVED INNOCENT, Jim Sheridan's IN THE NAME OF THE FATHER tells the tumultuous and wrenching tale of a man wrongfully imprisoned in 1974 for the bombing of a London pub. Daniel Day-Lewis stars as Conlon, a young Irish petty thief living in London who gets picked up after he and a friend, Paul Hill (John Lynch), rob a hooker's apartment. The British police, desperate to produce results in their search for the culprits in the pub bombing, force a false confession out of Conlon after subjecting him to days of sadistic torture and threats. The Guildford Four--Conlon, Hill, Paddy Armstrong (Mark Sheppard), and Carole Richardson (Beatie Edney)--are found guilty of the bombing, and members of Conlon's family, including his sickly father, Guiseppe, are imprisoned as co-conspirators. Conlon's desire to bring the truth to light builds as his harrowing incarceration in a maximum security prison stretches on. The relationship between Conlon and his father, played with silent strength by Pete Postlethwaite, provides a stirring pulse at the core of this portrait of politically motivated injustice. Emma Thompson also turns in a fine performance as the lawyer who stubbornly battles for Conlon's exoneration. And Day-Lewis, who won the Academy Award for Best Actor in MY LEFT FOOT, an earlier collaboration with director Sheridan, adds to his impressive body of work with a mind-boggling performance erupting with rage, pride, heart, and courage. [More]
Genre: Dramas
Starring: Daniel Day-Lewis, Emma Thompson, John Lynch, Corin Redgrave, Mark Sheppard
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Reviews
By the end of the movie, whether or not you're a member of Sinn Fein, the Brits' brutality toward the Conlons will get your Irish up.
[Sheridan] works with such piercing fervor and intelligence that In the Name of the Father just about transcends its tidy moral design.
Sheridan takes a controversial subject and gives it wider appeal by focusing on the family drama of two men who are also political prisoners.
Miscarried justice often provides the vehicle for emotionally wrenching drama and histrionic fireworks, and such is the case in spades with In the Name of the Father.
Letter-perfect performances from Day-Lewis and Postlethwaite do a lot more than a dozen editorials to make an unforgettable point about the miscarriage of justice.
Director Sheridan chronicles the father-son relationship perfectly and also handles the courtroom confrontations skilfully without ever falling into movie melodramatics.
The acting's so good it frequently transcends the simplicities of the script, and whenever Day-Lewis or Postlethwaite is on-screen the movie crackles.
Sheridan's movie seeks to engage and enrage. It's not, however, a film with an ideological axe to sharpen, but one which unfolds, with a sense of passionate conviction, a story of injustice.
Passionate true-story about an Irish youth who was wrongfully convicted of a terrorist act.
Daniel Day-Lewis gives one of his greatest performances, disappearing into the character the way he did in My Left Foot and A Room With a View.
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