Average Rating: 7.6/10
Reviews Counted: 30
Fresh: 25 | Rotten: 5
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Critic Reviews: 1
Fresh: 1 | Rotten: 0
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Based upon a true incident in 1930s Japan, Nagisa Oshima's controversial film effectively skirts the borderline between pornography and art -- making Bernardo Bertolucci's Last Tango in Paris of four years earlier look like children's programming in comparison. The story concerns servant and former prostitute Sada Abe (Eiko Matsuda) who becomes sexually obsessed with her employer Kizicho (Tatsuya Fuji), a businessman, after seeing him making love to his wife. After making love to Sada, Kizicho
Jan 1, 1976 Wide
Apr 25, 2000
Surrogate
All Critics (37) | Top Critics (4) | Fresh (29) | Rotten (6) | DVD (14)
That graphic sexual expression is the narrative currency Oshima uses to explicate a connection between sex and death only adds to the film's incalculable power to provoke, offend, frighten, and spellbind its audience.
Oshima holds nothing back. Yet watching the couple's constant lovemaking is the very opposite of erotic. Which may very well be the point. Sada and Kichizo's fantasy world is strictly private; it doesn't just shut out society, it excludes the viewer too.
Declaring yourself bored by a movie full of explicit sex may sometimes mark you out as a dreary pseudo-sophisticate, but in this case it's fair enough.
I still find In the Realm of the Senses impressive but it now puzzles and worries me.
Ai No Corrida is an undeniably powerful, stylish and impressive piece of work.
Unsanitised, worryingly convincing in its sadomasochistic detail, this is seriously provocative cinema, a telling reminder of what it really means to be dangerous.
As the soundtrack moans in sympathy while the deep crimson colours dazzle in delirium, the entire movie comes desperately close to approximating the pell-mell emotional turmoil of sex itself. Not porn, sex.
One of the most extraordinary moments in screen history. Oshima's film widens and deepens the sensual realm.
A graphic and extremely disturbing exploration of lust and love that deserves its reputation as a classic of world cinema.
It was made 33 years ago but Nagisa Oshima's doomed lust classic doesn't look in the least bit dusty. Quite the opposite.
I can only imagine critics at the initial screening ... marveling at a 20-foot penis taking up the entire screen: "Oh yeah, that totally represents the patriarchy."
Like his characters, Oshima is determined to explore and transgress sexual boundaries, if they even exist, by posing a challenge to conventional morality. [Blu-ray]
quickly becomes as monotonous as bluenoses accuse it of being prurient
I believe the children are the future, teach them well and let them lead the way. Or, conversely, you could violently yank a four-year-old boy's winkie and make him grow up begging to be choked unto orgasm. Your call.
To paraphrase a crack from Pauline Kael: light the incense, perverts.
The Criterion Collection thankfully rescues this controversial Japanese shocker.
Oshima, poses with In The Realm Of The Senses the philosophically seductive question: Does a form of government dictate the way people have sex?
Baring much more than bodies, Oshima delves deeply into subconscious carnal desires under the influence of society, and the eternal human contradictions between liberating sexual impulses and erotic enslavement.
It's more sensational than it is artistically interesting.
A beautiful, but very adult, film. The story is very powerful and kinda crazy, but I think it was actually based on a true story! An excellent movie about obsession.
September 6, 2010Super Reviewer
Fascinating tale of two lovers who become so obsessed with each other that it eventually consumes them. I lost count as to how many times this couple had sex but it was a LOT. If there ever was a film that could have benefited from a little 'product placement' of Viagra, this would be that film.
January 7, 2009
Super Reviewer
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