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In the Realms of the Unreal (2004)
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Reviews Counted:60
Fresh:43
Rotten:17
Average Rating:6.7/10
Consensus: A fascinating treatment on the life of a reclusive man.
Theatrical Release:Dec 22, 2004 Limited
Box Office: $164,868
Synopsis: IN THE REALMS OF THE UNREAL: THE MYSTERIOUS ART AND LIFE OF HENRY DARGER explores the fascinating mind of a reclusive, obsessive man who spent much of his life working on a 15,000-page illustrated... IN THE REALMS OF THE UNREAL: THE MYSTERIOUS ART AND LIFE OF HENRY DARGER explores the fascinating mind of a reclusive, obsessive man who spent much of his life working on a 15,000-page illustrated book about the ultimate battle of good versus evil, focusing on young girls in serious danger. Born and raised in and around Chicago, Henry Darger was a lonely, strange child who had no friends and an ailing father. Sent to the Asylum for Feeble-Minded Children, Darger was different from the other kids. In 1909, when he was seventeen, he began compiling "The Story of the Vivian Girls, in what is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion," a massive undertaking about a fierce war that involved Christian soldiers, heathens, and the seven pretty Vivian Girls. Jessica Yu's documentary draws remarkable parallels between Darger's fantasy world and his real life, based on material discovered in his apartment after his death in 1973. She also speaks with Darger's landlord and the few neighbors and churchgoers who knew him, opting not to talk to art critics or psychiatrists, instead letting the audience choose for itself whether Darger was a madman or a genius. She also brings Darger's colorful collage art to life, using old-fashioned animation techniques. The compelling film is narrated by Dakota Fanning, with passages from Darger's writings read by Larry Pine. [More]
Director: Jessica Yu
Director: Jessica Yu
Screenwriter: Jessica Yu
Producer: Jessica Yu, Susan West
Composer: Jeff Beal
Studio: Wellspring
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Reviews for In the Realms of the Unreal
The best way for a film to acknowledge the specialness of painting is to get out of its way and present it unaltered, whereas Yu uses it as raw material to be moved around, sometimes so crudely as to resemble the credits for Monty Python's Flying Circus.
In the Realms of the Unreal is Darger's worst nightmare, a work of spectacular invasiveness
Suggests only that Darger’s inner life was rich but came out in simple and unfocused art. . . . What Darger needs isn’t fan fiction, but insightful analysis and criticism.
This documentary is admirable in refusing to force conclusions, but aside from a pleasing presentation of Darger's repetitious art, is it worth the effort?
The corny animated sequences represent merely the most questionable formal tactic of a deeply cagey and secretive film.
Yu's decision to bypass the literature about Darger is unfortunate, because it contains so many fascinating details about his source materials, methods, creative problems, and aesthetic development.
The movie's central gimmick, animating the novel's illustrations while actors like Larry Pine and Dakota Fanning read the text dramatically in voiceover, grows cumulatively irritating and alienating.
Latest News for In the Realms of the Unreal
May 04, 2007:
SFIFF Report: Red Carpet, Parker Posey, Capsule Reviews!
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