Tommy Lee Jones is at the top of his game as a grieving fa ther determined to uncover the disturbing truth behind his soldier son's death in Paul Haggis' In the Valley of Elah.
In the Valley of Elah (2007)
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Reviews Counted:150
Fresh:108
Rotten:42
Average Rating:7/10
Consensus: Though some of Paul Haggis's themes are heavy-handed, In the Valley of Elah is otherwise an engrossing murder mystery and antiwar statement, featuring a mesmerizing performance from Tommy Lee Jones.
Rated: R [See Full Rating] for violent and disturbing content, language and some sexuality/nudity.
Runtime: 2 hrs 1 min
Genre: Dramas
Theatrical Release:Sep 28, 2007 Wide
Box Office: $6,585,535
Synopsis: Tommy Lee Jones plays Hank Deerfield, a retired military man investigating the mysterious disappearance of his soldier son, Mike, in this somber mystery-drama from director Paul Haggis (CRASH).... Tommy Lee Jones plays Hank Deerfield, a retired military man investigating the mysterious disappearance of his soldier son, Mike, in this somber mystery-drama from director Paul Haggis (CRASH). Charlize Theron is the civilian homicide cop in the small town near the base where Mike recently returned from a term of combat in Iraq. When this unlikely pair ends up investigating the mystery together, they encounter some suspicious covering-up from the army. Deerfield gets access to his son's camera phone which contains startling video footage from combat overseas. Using a muted palette of military browns and greens, Haggis shows the same sharp eye for humanistic detail that served him so well in CRASH, infusing desolate scenes of civilian life--sterile concrete barracks, sleazy strip clubs, homey but empty diners, drugs, fast food joints, and ghostly motels--with vivid detail. Performances are all Oscar-worthy: Jones's craggy, weather-beaten face hiding grief and anguish beneath a steely facade until they threatens to boil over. His mug becomes a symbol for an America with no other choice but to confront its own grave flaws if it's ever to find any answers. Susan Sarandon bring the pain to the surface as the anguished mother waiting at home, and Theron is strong and sure, as a single mother who bravely faces, among other challenges, harassment in the workplace. Josh Brolin is her ex, the chief of police, and Jason Patric and James Franco are among the impassive faces of the military. [More]
Starring: Tommy Lee Jones, Charlize Theron, Frances Fisher, Susan Sarandon
Starring: Tommy Lee Jones, Charlize Theron, Frances Fisher, Susan Sarandon, Jason Patric, James Franco, Josh Brolin
Director: Paul Haggis
Director: Paul Haggis
Screenwriter: Paul Haggis
Story: Mark Boal, Paul Haggis
Producer: Paul Haggis, Larry Becsey, Patrick Wachsberger, Steven Samuels, Darlene Caamano Loquet
Composer: Mark Isham
Studio: Warner Independent
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Reviews for In the Valley of Elah
The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema.
It is a showcase for Jones, who is moving as a father who only wants to know what happened to his son, but it is also a vile, hopelessly reductive film.
Oh, how I love movies where Tommy Lee Jones is looking for someone. I doesn't have to be a criminal, although that is preferred. There's just nobody who makes a procedural pursuit more compelling.
Will forever be known as the upside-down American flag movie. But showing the flag this way is heavy stuff that is supported by the movie the way a bowling ball is supported by a dandelion.
Though the portentous title is taken from the Old Testament, the film's concerns are painfully timely and forcefully articulated.
This is no doubt the first of many movies that will struggle to tell the stories of a war that's far from over, and even if the tale is imperfectly told, it commands our attention.
Thanks largely to the intricate, committed performances of Jones and Theron, it succeeds as an effective whodunit.
Elah does have moments of slipping into political sermon, but for the most part it is an effective, disturbing and -- a rarity for Haggis -- subtle exploration of the stateside war story.
Haggis still has a weakness for big dramatic gestures and heavy-handed symbolism, but a somber tone and Jones' tight-lipped yet moving performance nicely undercut the tendency toward Crash-style overwrought melodrama.
What Haggis obviously wants to explore is what the war in Iraq is doing to the humanity of our soldiers there. By approaching it indirectly, he simplifies it to a degree that I expect will anger many Iraq veterans.
The film's sense of responsibility proves almost paralyzing, allowing the production to be overwhelmed by the seriousness of what it's attempting.
If there was a symbol for cinematic distress, it would be raised in front of any theater playing this movie.
In the Valley of Elah held me despite my many qualms. That's because the subject matter is innately powerful and resists Haggis's pigeonholing. He's latched onto something that's bigger than himself.
Paul Haggis' In the Valley of Elah is built on Tommy Lee Jones' persona, and that is why it works so well.
Paul Haggis follows up his Oscar-winning Crash with this searing drama that uses the police procedural to explore the moral and psychological devastation of the Iraq war for U.S. soldiers.
Although more seamless and less contrived than writer/director/producer Paul Haggis' Academy Award winning Crash, the picture offers little more than an earnest civics lesson.
Latest News for In the Valley of Elah
February 18, 2008:
RT on DVD: Cram For The Oscars With Michael Clayton, In The Valley of Elah, And More Out This Week
Ready those Oscar ballots! With the Academy Awards around the corner, it's time to start catching up on what you missed in theaters. Snap up this week's offerings for... More...
January 24, 2008:
Director Paul Haggis on In the Valley of Elah: The RT Interview
We sit down with the Crash director and Bond scribe to find out more about his political latest, In the Valley of Elah. More...
January 10, 2008:
Amy Ryan and Greg Kinnear Join Paul Greengrass and Matt Damon in the Green Zone
"Making a movie about the war in Iraq" is quickly turning into just another way of saying "losing tons of money at the box office," but director Paul Greengrass isn't letting... More...
December 14, 2007:
Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...
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