While it runs a bit slow, Intacto doesn't bore, and the ending is interesting to see played out, if not a bit predictable.
Intacto (2002)
Tomatometer
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Reviews Counted:72
Fresh:52
Rotten:20
Average Rating:6.5/10
Consensus: The plot gimmick is original, bolstered by stylishly intriguing setpieces.
Rated: R [See Full Rating] for language, some violence and brief nudity
Runtime: 1 hr 49 mins
Genre: Foreign Films
Theatrical Release:Dec 13, 2002 Limited
Box Office: $145,177
Synopsis: With INTACTO, from director Juan Carlos Fresnadillo, a group of people who have "the gift" of being extremely lucky play into a suspenseful world of gambling and superstition. The film begins and... With INTACTO, from director Juan Carlos Fresnadillo, a group of people who have "the gift" of being extremely lucky play into a suspenseful world of gambling and superstition. The film begins and ends in the Canary Islands, where ringleader Sam (Max von Sydow), a Holocaust survivor, runs a casino. His right-hand man Federico (Eusebio Poncela) is stripped of "the gift" in a terrifying exchange that Federico sees as worse than death: Sam hugs him and in doing so steals his luck away. Desperate for revenge, Federico latches onto Tomas (Leonard Sbaraglia), the miraculous sole survivor of an airplane crash. He convinces Tomas to test his luck in various games (one involves running full-speed, blindfolded, through a heavily wooded forest to see if he is "lucky" enough to avoid running into a tree.) By training Tomas to be a winner, Federico hopes to eventually have him challenge Sam. Thrown into the complicated mix are an untouchable bullfighter (Antonio Dechent), and an auto accident survivor (Monica Lopez) who want to break up this obsessive gambling ring. INTACTO uses its stirring orchestral score by Lucio Godoy, its puzzling plotline, its bleak desert settings, and its fast-moving nighttime driving scenes to create a mood of mystery and intrigue. [More]
Starring: Leonardo Sbaraglia, Eusebio Poncela, Antonio Perez Dechent, Max von Sydow
Starring: Leonardo Sbaraglia, Eusebio Poncela, Antonio Perez Dechent, Max von Sydow
Director: Juan Carlos Fresnadillo
Director: Juan Carlos Fresnadillo
Screenwriter: Juan Carlos Fresnadillo
Composer: Lucio Godoy
Studio: Lions Gate Films
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Reviews for Intacto
The story and structure are well-honed. Fresnadillo's dark and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that won't go away.
It’s one thing to enjoy this movie, it’s quite another to take it as seriously as it takes itself.
So fiendishly cunning that even the most jaded cinema audiences will leave the auditorium feeling dizzy, confused, and totally disorientated. Not to mention absolutely refreshed.
It has Mamet's cool, philosopher's finesse, but none of Borges's fun.
Like a sprinter competing in his first distance race: It bursts forth with tremendous energy, sustains itself for quite a while, loses steam near the end but finishes ahead of most of the pack.
Far-fetched premise, convoluted plot, and thematic mumbo jumbo about destiny and redemptive love.
I admired Intacto more than I liked it, for its ingenious construction and the way it keeps a certain chilly distance between its story and the dangers of popular entertainment.
Apuestas fuertes para el futuro del director, y apuestas bien fundadas, pues la suerte ya la tiene, y la cinta lo comprueba....
The brilliance of the picture lies in the way it carefully lets information loose a little at a time, so that we're drawn into this world and captivated by it -- until we finally understand everything only at the very end.
Intriguing premise and nice visuals but a storyline too opaque for its own good.
Although Sam's concentration camp backstory flirts with tastelessness, Mr. Fresnadillo charges Intacto with enough well-visualized oddity and surrealism to keep it interesting.
The film's major concept ... is a bit gimmicky, but the film has well-developed characters and style to spare.
Even if you get lost in the labyrinth of the plot -- which is not just understandable but almost inevitable -- you will almost certainly enjoy yourself trying to make it all make some sort of cosmic sense.
one of those European genre films that look much superior to Hollywood even when they are obviously below the standards of genre excellence
Latest News for Intacto
August 31, 2006:
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