Fantastic action, a brilliant cast and a sharp script tightly directed, The International's thrills and excitement are matched and heightened by its uncannily apropos timing.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Rated: R [See Full Rating] for some sequences of violence and language.
Runtime: 1 hr 58 mins
Genre: Dramas
Theatrical Release:Feb 13, 2009 Wide
Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
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Release:
Jun 9, 2009
DVD Features:
- Keep Case
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1
- Dubbed, Subtitles - Portuguese, Spanish, Thai
- Subtitles - Chinese, English, Korean
Additional Release Material:
- Extended Scenes: Salinger & Whitman - Extended Scene
- Audio Commentary: Tom Tykwer, Director; Eric Singer, Writer
Making Of:
- 1. Making The Internatioanl
- 2. The Architecture of The International
Reviews for The International
It's got some effective moments and aspects, but the film goes in and out of plausibility, and its elements never manage to unify into a coherent whole.
OK, it doesn't tell you much about the role of banks in the current economic free-fall. But if you want to know, it's a humdinger of a stimulus package.
The International almost seems like a Monty Python spoof on spy-game thrillers in which the phrase 'secret agent' is constantly replaced by 'banker,' resulting in lines like, '...If I die, 100 other bankers take my place.'
Despite the script's persistent focus on the link between terrorism and big business, The International feels naggingly generic. You've seen this movie before, if perhaps not quite so stylishly directed.
... for all its impressive set pieces and breathless momentum, it's neither passionate nor urgent.
As smartly as it begins, the film nearly completely unravels around the 70-minute mark.
Everything about it is good-looking, tautly paced and sophisticated; what it isn't, unfortunately, is memorable.
...even the de rigueur international cityscapes look as intricate and detailed as a Where's Waldo tableaux (try to catch this in digital projection if you can).
Real life aside, The International is a compelling and suspenseful thriller that features one of the best shootouts of the decade.
Where Run Lola Run was like a perpetual-motion machine, The International seems to forever be stopping in its own tracks.
The International is a film I liked enough that I wished I liked it better.
It's a well-made and handsome drama centering on a powerful and corrupt European bank with ties to arms dealers.
Garbled at times, the movie still hums along with attractive, smooth efficiency.
It's a mildly intriguing political puzzler, but never manages to engage the heart as well as the head or make your pulse race as it should.
Its premise aches with timely resonance. It’s directed with meticulous artistry. So why does it ultimately feel so empty and forgettable?
Swift investigations alter with elaborate set pieces in Milan and a staggering climax at the New York Guggenheim, a furious explosion of violence and excitement that ranks among the most exhilarating sequences I've seen in a long time.
For every burst of energy or eye-catching visual, the film doubly shoots itself in the foot with listless pacing and dreary thematics. Ultimately, it isn't worth the effort to get to the good stuff.
Latest News for The International
March 22, 2009:
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February 16, 2009:
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
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