Intersection Reviews

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Film4
August 3, 2009
Only Stone manages to find any emotional depth in her character, and that's not enough reason to see the film.

TV Guide's Movie Guide
August 3, 2009
It's a waxen, pretentious bore, and whatever chance it may have had of succeeding is foiled by casting so misguided that it's hard to imagine it wasn't meant as a vicious joke.
Full Review | Original Score: 2/4
Top Critic
Jonathan Rosenbaum
Chicago Reader
August 3, 2009
Stone deserves some points for playing a recognizable human being while Davidovich fares less well in an underscripted part, but what sabotages the story altogether is Gere's boundless narcissism.
Top Critic
Todd McCarthy
Variety
March 26, 2009
This very loose adaptation (acknowledgement of the sources is buried in the end credits) attempts to goose things up here and there, but original's essentially meditative nature is left quite unfulfilled by the new approach and glamour cast.
Top Critic

Time Out
February 9, 2006
Less neurotic and sexually charged than usual, Gere digs deep to find the source of his character's chronic indecisiveness.
Dennis Schwartz
Ozus' World Movie Reviews
May 6, 2004
Inane!
Full Review | Original Score: C+
Michael Dequina
TheMovieReport.com
January 2, 2004
Click to read review
Full Review | Original Score: 1/4
Top Critic
Janet Maslin
New York Times
May 20, 2003
Tespite the glossiness, it winds up seeming profoundly uneventful, perhaps because the car crash is the story's only real dramatic turn.
Full Review | Original Score: 2/5
Clint Morris
Moviehole
September 19, 2002
My Basic Instinct tells me to inform all of it's unworthiness
| Original Score: 1/5
Brian Webster
Apollo Guide
February 19, 2002
Looks nice, gives the sense that there's supposed to be something important going on here, but doesn't deliver the goods.
Full Review | Original Score: 63/100
Marjorie Baumgarten
Austin Chronicle
January 1, 2000
It also seems as though the filmmakers scored well in Symbolism 101.
Full Review | Original Score: 0/5
Scott Renshaw
rec.arts.movies.reviews
January 1, 2000
Exactly when it happened, I can't put my finger on.
Full Review | Original Score: 3/10
Top Critic
Rita Kempley
Washington Post
January 1, 2000
Should he as an incredibly wealthy architect go back to his wife, Sharon Stone, or stay with his mistress, Lolita Davidovich? It's a question that ranks up there on the suspense-o-meter with "Paper or plastic?"
Top Critic
Desson Thomson
Washington Post
January 1, 2000
Please stop me when you care.
Top Critic
Roger Ebert
Chicago Sun-Times
January 1, 2000
The only thing these characters have to talk about are the problems manufactured for them by the screenplay. No other conversations on any other subject amount to more than filler between crises.
Full Review | Original Score: 1/4
Top Critic
James Berardinelli
ReelViews
January 1, 2000
The concept sounds reasonable until the characters start reciting some truly dumb dialogue.
Full Review | Original Score: 2/4
Chris Hicks
Deseret News, Salt Lake City
January 1, 2000
Gere and Stone are fine with roles that do not overly tax their range, particularly in genre films, such as thrillers or mysteries. But these characters call for wide-ranging emotion.
Full Review | Original Score: 1.5/4
Top Critic
Lisa Schwarzbaum
Entertainment Weekly
September 7, 2011
Full Review | Original Score: C-
Chuck O'Leary
Fantastica Daily
October 9, 2005
| Original Score: 3/5
Emanuel Levy
EmanuelLevy.Com
July 22, 2005
| Original Score: 2/5
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