a compelling fictional documentary featuring a riveting performance from character actor Barry
Interview with the Assassin (2002)
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Reviews Counted:57
Fresh:38
Rotten:19
Average Rating:6.5/10
Consensus: Barry is compellingly creepy as the self-named assassin.
Theatrical Release:Nov 15, 2002 Limited
Synopsis: To many people, the assassination of President John F. Kennedy remains one of the greatest mysteries in American history. Did Lee Harvey Oswald act alone? Was he a scapegoat in a conspiratorial... To many people, the assassination of President John F. Kennedy remains one of the greatest mysteries in American history. Did Lee Harvey Oswald act alone? Was he a scapegoat in a conspiratorial plot? Could a second shooter have been responsible for JFK's death? Neil Burger's documentary-style directorial debut tackles these oft asked questions through the story of Ron Kobeleski (Dylan Haggerty), an out-of-work cameraman who becomes entangled in conspiracy theories when approached by his older, evasive neighbor, Walter Ohlinger (Raymond J. Barry), who wants to confess to an old crime. Walter claims to have been the second shooter in the JFK assassination, the man whose bullet actually killed the president. Ron pursues Walter's story with gusto, seeking the evidence needed to prove Walter's claim. As the two men travel around the country in search of the proof that Walter insists exists, Ron begins to debate whether or not this increasingly unstable man is telling the truth or is just plain crazy. Barry is believably menacing as the former Marine who may be responsible for one of the most pivotal events in American history. And Haggerty's portrayal of an ordinary man who is thrust into an extraordinary story is both subtle and convincing. [More]
Starring: John F. Kennedy, Raymond J. Barry, Dylan Haggerty, Renee Faia
Starring: John F. Kennedy, Raymond J. Barry, Dylan Haggerty, Renee Faia, Kelsey Kemper, Dennis J. Lau, Jared McVay
Director: Neil Burger
Director: Neil Burger
Screenwriter: Neil Burger
Producer: Brian Koppelman, David Levien
Studio: Magnolia Pictures
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Reviews for Interview with the Assassin
While Interview With the Assassin has a nicely nuanced performance from the veteran character actor Barry, it also has tonal problems.
This cinema verite speculation on the assassination of John F. Kennedy may have been inspired by Blair Witch, but it takes its techniques into such fresh territory that the film never feels derivative.
By the end, the flick can't support its intriguing premise and ends up like a shell casing clanging on pavement: more hollow than whole.
Few of the increasingly far-fetched events that first-time writer-director Neil Burger follows up with are terribly convincing, which is a pity, considering Barry's terrific performance.
[Has] an immediacy and an intimacy that sucks you in and dares you not to believe it’s all true.
The film's best trick is the way that it treats conspiracy as a kind of political Blair Witch, a monstrous murk that haunts us precisely because it can never be seen.
Whether softening his military cadences with a touch of the South or shimmying down the outside wall of a motel, the veteran character actor [Barry] goes a long way toward padding what is a clever if fundamentally minor conceit.
As ex-Marine Walter, who may or may not have shot Kennedy, actor Raymond J. Barry is perfectly creepy and believable.
Never quite transcends jokester status ... and the punchline doesn't live up to Barry's dead-eyed, perfectly chilled delivery.
An achingly enthralling premise, the film is hindered by uneven dialogue and plot lapses.
This schlock shocker, at once blunt and fine tuned, is a revealing sendup of America's peculiar paranoid affair with gun love culture and tabloid mythology.
The film has a difficult time shaking its Blair Witch Project real-time roots.
Interview with the Assassin impresses most with a super-creepy home-invasion sequence and Berry's fabulous, seething performance.
May reawaken discussion of the Kennedy assassination but this fictional film looks made for cable rather than for the big screen.
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