Into Eternity (2010)
Average Rating: 7.8/10
Reviews Counted: 27
Fresh: 27 | Rotten: 0
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Average Rating: 8.3/10
Critic Reviews: 9
Fresh: 9 | Rotten: 0
No consensus yet.
Average Rating: 3.9/5
User Ratings: 1,571
Onkalo (Finnish for "hiding place") is under construction: it's a cavernous world of tunnels and corridors, a permanent storage facility for nuclear waste, meant to last 100,000 years (that's 20 times as long as the pyramids have so far). Conceptual artist Michael Madsen's film is a creepy, eerily elegant meditation on human folly, punctuated by philosophical and historical references, that asks: how do you keep 3,000 future generations from inadvertently opening this Pandora's Box? Should
Feb 2, 2011 Limited
International Film Circuit - Official Site
Into Eternity is a documentary that may look like a science fiction movie, but it ends up more of a horror film.
Madsen, whose symmetrical compositions and slo-mo shots of uniformed workers have a quality of Kubrickian sci-fi, frames the film as a message to the future.
In a deceptively low-key manner, Danish filmmaker Michael Madsen has beautifully crafted one of the most provocative movies of the year.
Directed by Danish filmmaker Michael Madsen with grace and deep curiosity, "Into Eternity" is better than timely.
Into Eternity provides few solutions regarding the estimated 200,000 to 300,000 tons of N-waste lying around the world, but it does alert us to potentially devastating consequences. Will we heed the warning?
More like a troubling dream, or outtakes from an abandoned David Lynch project, than a conventional documentary.
Madsen's ominous work is reminiscent, stylistically, of Kubrick's masterworks 2001: A Space Odyssey (1968) and The Shining (1980) in its visual precision and chilly environs.
Into Eternity may be the most honest, as well as the most beautiful, documentary you've ever seen.
Finland leads in storing nuclear waste, and what a long strange trip it will be
Watching the film is akin to having a totally immersive, video game-like experience, a journey best described as Lord of the Rings meets 2001: A Space Odyssey.
This film is about your legacy. If you want to see the future, you want to see this film.
Approaches the Onkalo problem with one part curiosity to two parts dubiousness, reflected in a hyper-aestheticized style that feels equally influenced by Errol Morris, Sigur Rós, and creepy science-fiction movies.
Transcending agitprop, this disturbing documentary gets to the heart of the question of civilization and its discontents.
The story of a nuclear-waste repository designed to last 100,000 years becomes a haunting rumination on time, language, civilization and folly.
The film reaches way beyond the usual activist crowd by making itself as formally compelling as it is tightly argued.
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