[The film] likes these people and these kooky scenarios too much to detach itself enough to simply observe them. And it doesn't understand them well enough to convince us they make sense.
Introducing The Dwights (2007)
Tomatometer
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Reviews Counted:85
Fresh:45
Rotten:40
Average Rating:5.5/10
Consensus: Despite the strength of its earnest portrayal of family dysfunction, Introducing the Dwights is predictable and tries too hard to be quirky.
Theatrical Release:Jul 4, 2007 Limited
Box Office: $263,040
Synopsis: This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and... This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and marry a one-hit wonder country singer. One of her two sons is mentally handicapped (Richard Wilson); the other is a sensitive kid named Tim (Kham Chittenden), whose sexual maturity has been waylaid by his clingy mom's fear of being abandoned again (her husband--understandably--left her). He's got to look after his brother and drive Mom to her local club gigs as she attempts a comeback. Complications arise when Tim meets Jill (Emma Booth), a girl cute and bright enough to be worth standing up to his mother for. Director Cherie Nowlan stages the ensuing family fracas in the style of Australia's and England's past working-class comedy hits, like MURIEL'S WEDDING and LIFE IS SWEET. This suits the larger-than-life talents of Blethyn just fine: over the top is her natural habitat and here she inhabits it body and soul. The broad comic strokes are nicely balanced by some subtle shading in the sensitive romance between Tim and his Jill. Chittenden is very likeable, and his sensitivity makes a nice foil for the histrionics on display. Still, it's Blethyn's show all the way (she also wrote much of her own stand-up material), and fans of her work in the films of Mike Leigh will be happy with the warm, improvisatory feel of much of INTRODUCING THE DWIGHTS (or CLUBLAND as it's known in Australia). [More]
Starring: Brenda Blethyn, Richard Wilson, Khan Chittenden, Frankie J. Holden
Starring: Brenda Blethyn, Richard Wilson, Khan Chittenden, Frankie J. Holden, Rebecca Gibney, Emma Booth, Russell Dykstra, Philip Quast
Director: Cherie Nowlan
Director: Cherie Nowlan
Screenwriter: Keith Thompson
Producer: Rosemary Blight
Composer: Martin Armiger
Studio: Warner Independent
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Reviews for Introducing The Dwights
With its broad, toothless humor and ham-fisted fits of melodrama, this sitcom-grade embarrassment aims to dethrone Muriel's Wedding as the quirky Aussie feel-gooder of all time, except it hurts too much to watch.
Blethyn creates sympathy for a manipulative, prickly character who's struggling to redefine her roles onstage and off. Director Cherie Nowlan steers the comedy to a feel-good ending.
Slightly slapsticky with broad Aussie humour, Cherie Nowlan's Introducing the Dwights is an ordinary dramedy that features a fine performance by British star Blenda Blethyn, but falls short in charm and originality.
In the hands of Mike Leigh, this could be a masterpiece, as it is, it's forgettable fun.
Brenda Blethyn gets her teeth into the role of a flamboyant showbiz monster who can't accept that her career has failed to make the big time.
Promising turns from Booth and Chittenden aren't enough to save a slight and sloppy Aussie soap from a poor script, messy direction and Blethyn's overbearing performance.
Yes, Introducing the Dwights is a melodrama, but this melodrama handles its emotional manipulation with such subtle honesty that it takes on an impressive degree of realism.
There are films about monstrous overbearing moms, often played by Shelley Winters, and there are those "heartwarming" losing-one's-virginity flicks ("Summer of '42"). Australia's entry into this field consolidates the best elements of both genres.
Introducing the Dwights is a marvelous Australian family dramedy that occasionally creates the claustrophobic sensation of being trapped in quarreling hell.
Reminiscent of past Australian films that didn't hesitate to throw jarring characters at us and challenge us to appreciate their humanity, even amidst wacky behaviours.
Some offbeat humor shines through the clouds of this glum domestic drama, especially when fun friends shift the focus from Jean's grating histrionics. But it never lasts long.
The movie belongs to Blethyn, who takes a difficult, easily misunderstood role and gracefully cracks it open to reveal what's inside.
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