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Introducing The Dwights (2007)
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Reviews Counted:85
Fresh:45
Rotten:40
Average Rating:5.5/10
Consensus: Despite the strength of its earnest portrayal of family dysfunction, Introducing the Dwights is predictable and tries too hard to be quirky.
Theatrical Release:Jul 4, 2007 Limited
Box Office: $263,040
Synopsis: This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and... This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and marry a one-hit wonder country singer. One of her two sons is mentally handicapped (Richard Wilson); the other is a sensitive kid named Tim (Kham Chittenden), whose sexual maturity has been waylaid by his clingy mom's fear of being abandoned again (her husband--understandably--left her). He's got to look after his brother and drive Mom to her local club gigs as she attempts a comeback. Complications arise when Tim meets Jill (Emma Booth), a girl cute and bright enough to be worth standing up to his mother for. Director Cherie Nowlan stages the ensuing family fracas in the style of Australia's and England's past working-class comedy hits, like MURIEL'S WEDDING and LIFE IS SWEET. This suits the larger-than-life talents of Blethyn just fine: over the top is her natural habitat and here she inhabits it body and soul. The broad comic strokes are nicely balanced by some subtle shading in the sensitive romance between Tim and his Jill. Chittenden is very likeable, and his sensitivity makes a nice foil for the histrionics on display. Still, it's Blethyn's show all the way (she also wrote much of her own stand-up material), and fans of her work in the films of Mike Leigh will be happy with the warm, improvisatory feel of much of INTRODUCING THE DWIGHTS (or CLUBLAND as it's known in Australia). [More]
Starring: Brenda Blethyn, Richard Wilson, Khan Chittenden, Frankie J. Holden
Starring: Brenda Blethyn, Richard Wilson, Khan Chittenden, Frankie J. Holden, Rebecca Gibney, Emma Booth, Russell Dykstra, Philip Quast
Director: Cherie Nowlan
Director: Cherie Nowlan
Screenwriter: Keith Thompson
Producer: Rosemary Blight
Composer: Martin Armiger
Studio: Warner Independent
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Reviews for Introducing The Dwights
Blethyn creates sympathy for a manipulative, prickly character who's struggling to redefine her roles onstage and off. Director Cherie Nowlan steers the comedy to a feel-good ending.
In the hands of Mike Leigh, this could be a masterpiece, as it is, it's forgettable fun.
Yes, Introducing the Dwights is a melodrama, but this melodrama handles its emotional manipulation with such subtle honesty that it takes on an impressive degree of realism.
There are films about monstrous overbearing moms, often played by Shelley Winters, and there are those "heartwarming" losing-one's-virginity flicks ("Summer of '42"). Australia's entry into this field consolidates the best elements of both genres.
Introducing the Dwights is a marvelous Australian family dramedy that occasionally creates the claustrophobic sensation of being trapped in quarreling hell.
Reminiscent of past Australian films that didn't hesitate to throw jarring characters at us and challenge us to appreciate their humanity, even amidst wacky behaviours.
The movie belongs to Blethyn, who takes a difficult, easily misunderstood role and gracefully cracks it open to reveal what's inside.
At times, it's a mawkish drama about a mother-son relationship that's uncomfortable to watch and too melodramatic to be believed. Then, it's a sprightly comedy about an innocent boy who hits the adolescent jackpot.
There's nothing lovely, however, about the movie's bombastic ending, but there are enough small moments until then to make this mixed-up experience vaguely worthwhile.
Introducing the Dwights is funny and poignant, with a tour-de-force performance by British actress Brenda Blethyn.
The supporting players are amiable, and while the family's multiple dysfunctions verge on cartoonishness, the actors keep their characters relatively realistic.
Clubland is warm and entertaining enough, with Brenda Blethyn doing a variation on her Little Voice vulgarian amid appealing support perfs.
It doesn't quite add up as a convincingly rounded drama, thanks largely to a tepid feelgood ending, but there are many good moments - and the expert acting from Blethyn alone is worth the price of a ticket.
A thoroughly enjoyable and charming film that will strike a chord with anyone who's ever felt the need to get away from the strangling, constrictive strings of their mother's apron.
New title (at Sundance it was called Clubland) better suggests the central issue, the difficulties of living in attention-craving showbiz family; the filmmakers give the rather familiar coming-of-age saga necessary edge and dispassionate tone.
It's sweet, quirky, sincere, and provides a perfect escape from the hustle and bustle of those big-budgeted extravaganzas currently invading your local theater.
An Australian family drama that depicts how difficult people can help us refine and polish our finer qualities.
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