Introducing the Dwights is a marvelous Australian family dramedy that occasionally creates the claustrophobic sensation of being trapped in quarreling hell.
Introducing The Dwights (2007)
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Reviews Counted:85
Fresh:45
Rotten:40
Average Rating:5.5/10
Consensus: Despite the strength of its earnest portrayal of family dysfunction, Introducing the Dwights is predictable and tries too hard to be quirky.
Theatrical Release:Jul 4, 2007 Limited
Box Office: $263,040
Synopsis: This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and... This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and marry a one-hit wonder country singer. One of her two sons is mentally handicapped (Richard Wilson); the other is a sensitive kid named Tim (Kham Chittenden), whose sexual maturity has been waylaid by his clingy mom's fear of being abandoned again (her husband--understandably--left her). He's got to look after his brother and drive Mom to her local club gigs as she attempts a comeback. Complications arise when Tim meets Jill (Emma Booth), a girl cute and bright enough to be worth standing up to his mother for. Director Cherie Nowlan stages the ensuing family fracas in the style of Australia's and England's past working-class comedy hits, like MURIEL'S WEDDING and LIFE IS SWEET. This suits the larger-than-life talents of Blethyn just fine: over the top is her natural habitat and here she inhabits it body and soul. The broad comic strokes are nicely balanced by some subtle shading in the sensitive romance between Tim and his Jill. Chittenden is very likeable, and his sensitivity makes a nice foil for the histrionics on display. Still, it's Blethyn's show all the way (she also wrote much of her own stand-up material), and fans of her work in the films of Mike Leigh will be happy with the warm, improvisatory feel of much of INTRODUCING THE DWIGHTS (or CLUBLAND as it's known in Australia). [More]
Starring: Brenda Blethyn, Richard Wilson, Khan Chittenden, Frankie J. Holden
Starring: Brenda Blethyn, Richard Wilson, Khan Chittenden, Frankie J. Holden, Rebecca Gibney, Emma Booth, Russell Dykstra, Philip Quast
Director: Cherie Nowlan
Director: Cherie Nowlan
Screenwriter: Keith Thompson
Producer: Rosemary Blight
Composer: Martin Armiger
Studio: Warner Independent
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Reviews for Introducing The Dwights
The movie proves even more dysfunctional than the Dwights themselves...despite the title, you'd be well advised not to make this family's acquaintance.
There are films about monstrous overbearing moms, often played by Shelley Winters, and there are those "heartwarming" losing-one's-virginity flicks ("Summer of '42"). Australia's entry into this field consolidates the best elements of both genres.
The movie belongs to Blethyn, who takes a difficult, easily misunderstood role and gracefully cracks it open to reveal what's inside.
Blethyn's character is a vulgar cartoon, and the actress greedily consumes the scenery. That may be fitting for a woman who craves the spotlight, but the film suffers for her egocentrism.
How did this little gem EVER sneak into theatres this summer? Laughs, insight, human emotion...What a concept!
A collision of Jeannie's story and Tim's story, and while that's appropriate, it also results in wobbly tone shifts (Gypsy meets Equus, without the horses?).
A thoroughly enjoyable and charming film that will strike a chord with anyone who's ever felt the need to get away from the strangling, constrictive strings of their mother's apron.
This Aussie import has a certain amount of charm, especially from the younger actors, but it is predictable and a little shrill.
With its broad, toothless humor and ham-fisted fits of melodrama, this sitcom-grade embarrassment aims to dethrone Muriel's Wedding as the quirky Aussie feel-gooder of all time, except it hurts too much to watch.
An Australian family drama that depicts how difficult people can help us refine and polish our finer qualities.
It's sweet, quirky, sincere, and provides a perfect escape from the hustle and bustle of those big-budgeted extravaganzas currently invading your local theater.
You'd have to see the ending here to believe it, and that's something I can't recommend you do.
Keith Thompson's screenplay is a tad over-populated, but Cherie Nowlan's film settles in and gathers force as it goes along.
Shrieking like a banshee has unfortunately become Brenda Blethyn's stock in trade ever since her remarkable breakout performance in Mike Leigh's Secrets & Lies.
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