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Irma Vep (1996)
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Reviews Counted:35
Fresh:32
Rotten:3
Average Rating:7.4/10
Runtime: 1 hr 36 mins
Genre: Foreign Films
Synopsis: Hong Kong diva Cheung stars as herself, having been cast on a director's whim as the slinky, cat-burgling heroine of a remake of the vintage French serial "Les Vampires." Once in Paris, Cheung... Hong Kong diva Cheung stars as herself, having been cast on a director's whim as the slinky, cat-burgling heroine of a remake of the vintage French serial "Les Vampires." Once in Paris, Cheung encounters countless culture clashes, as well as set-related mishaps that echo Truffaut's charming "Day for Night." [More]
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Antoine Basler
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Antoine Basler, Alex Descas
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Georges Benayoun
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Reviews for Irma Vep
Movies about making movies are never quite as interesting as the people who make them think they're going to be.
Irma Vep is a film full of chaos, which at times entertains and at times makes you wonder what it’s all about.
A wonderful tribute to filmmaking that could only be made in France, it has delightful performances and a low-budget style -- like the film it parodies -- which work beautifully.
French cineastes will appreciate the writing and direction of Oliver Assayas.
One of the few movies about making movies that captures the kinetic madness of the process. Maggie Cheung, playing herself, floats like a bemused Buddha through the maelstrom, offering a welcome sense of grace and normalcy.
Assayas' terrific camerawork and layered character study that unfolds in documentary-like fashion makes a strong case for the future of independent filmmaking as a vibrant force in cinema.
An arguably brilliant film with the noncontradictory potential to bore half its intended audience and enchant the other half.
Irma Vep's director, Olivier Assayas, evinces a love of the process that's nearly as palpable as Truffaut's.
Ultimately, Irma Vep doesn't quite have the courage of its convictions, but still provides plenty of scathing satire on the state of French cinema.
A film of such spontaneity, freshness and breezy chaos that you feel as if it were assembled from happy accidents and inspired, seat-of- the-pants improvisation.
The post-modern compulsions on display here may bring movies together, but they also keep people apart.
A delightfully nonchalant movie, complete with some nice satirical barbs aimed at contemporary French film culture, and fine performances throughout.
Assayas turns the camera on the behind-the-scenes process, and the results are both comic and revealing.
We just love to make movies about movies to deconstruct them, to see what's behind them.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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