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Irma Vep (1996)
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Reviews Counted:35
Fresh:32
Rotten:3
Average Rating:7.4/10
Runtime: 1 hr 36 mins
Genre: Foreign Films
Synopsis: Hong Kong diva Cheung stars as herself, having been cast on a director's whim as the slinky, cat-burgling heroine of a remake of the vintage French serial "Les Vampires." Once in Paris, Cheung... Hong Kong diva Cheung stars as herself, having been cast on a director's whim as the slinky, cat-burgling heroine of a remake of the vintage French serial "Les Vampires." Once in Paris, Cheung encounters countless culture clashes, as well as set-related mishaps that echo Truffaut's charming "Day for Night." [More]
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Antoine Basler
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Antoine Basler, Alex Descas
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Georges Benayoun
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Reviews for Irma Vep
Ends up a knowing, and fairly lucid, portrait of the filmmaking experience, warts and all.
An arguably brilliant film with the noncontradictory potential to bore half its intended audience and enchant the other half.
A wonderful tribute to filmmaking that could only be made in France, it has delightful performances and a low-budget style -- like the film it parodies -- which work beautifully.
Scripted in ten days and shot in less than a month, the film unravels like a delirious piece of automatic writing, though in this case the sinister implications apply to a very different world -- our own.
We just love to make movies about movies to deconstruct them, to see what's behind them.
French cineastes will appreciate the writing and direction of Oliver Assayas.
Ultimately, Irma Vep doesn't quite have the courage of its convictions, but still provides plenty of scathing satire on the state of French cinema.
Assayas demonstrates an assured light touch here, drawing expert comic performances from Cheung, Richard and Ogier while using a 16mm hand-held camera to lend the film a live, experimental quality.
A sometimes scathing, sometimes goodnatured satire of the French film industry.
Movies about making movies are never quite as interesting as the people who make them think they're going to be.
One of the few movies about making movies that captures the kinetic madness of the process. Maggie Cheung, playing herself, floats like a bemused Buddha through the maelstrom, offering a welcome sense of grace and normalcy.
[It] seems to function as a cinematic state of affairs, examining the functions and motivations behind the movies we see.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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