[It] seems to function as a cinematic state of affairs, examining the functions and motivations behind the movies we see.
Irma Vep (1996)
Tomatometer
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Reviews Counted:35
Fresh:32
Rotten:3
Average Rating:7.4/10
Runtime: 1 hr 36 mins
Genre: Foreign Films
Synopsis: Hong Kong diva Cheung stars as herself, having been cast on a director's whim as the slinky, cat-burgling heroine of a remake of the vintage French serial "Les Vampires." Once in Paris, Cheung... Hong Kong diva Cheung stars as herself, having been cast on a director's whim as the slinky, cat-burgling heroine of a remake of the vintage French serial "Les Vampires." Once in Paris, Cheung encounters countless culture clashes, as well as set-related mishaps that echo Truffaut's charming "Day for Night." [More]
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Antoine Basler
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Antoine Basler, Alex Descas
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Georges Benayoun
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Reviews for Irma Vep
French cineastes will appreciate the writing and direction of Oliver Assayas.
Assayas' terrific camerawork and layered character study that unfolds in documentary-like fashion makes a strong case for the future of independent filmmaking as a vibrant force in cinema.
An arguably brilliant film with the noncontradictory potential to bore half its intended audience and enchant the other half.
Ultimately, Irma Vep doesn't quite have the courage of its convictions, but still provides plenty of scathing satire on the state of French cinema.
A film of such spontaneity, freshness and breezy chaos that you feel as if it were assembled from happy accidents and inspired, seat-of- the-pants improvisation.
Assayas turns the camera on the behind-the-scenes process, and the results are both comic and revealing.
Movies about making movies are never quite as interesting as the people who make them think they're going to be.
A movie-movie that's very up-to-the-minute, is one of the year's best films.
Assayas demonstrates an assured light touch here, drawing expert comic performances from Cheung, Richard and Ogier while using a 16mm hand-held camera to lend the film a live, experimental quality.
Scripted in ten days and shot in less than a month, the film unravels like a delirious piece of automatic writing, though in this case the sinister implications apply to a very different world -- our own.
Ends up a knowing, and fairly lucid, portrait of the filmmaking experience, warts and all.
It's a languorous love ballad, and a daring one, about the way moving pictures move, the way they hold light, the way they steal from us when we're not looking.
Irma Vep is a film full of chaos, which at times entertains and at times makes you wonder what it’s all about.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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