Noé is here to remind us the world is ugly. That'll be ten bucks, please, and would you like some popcorn with your nausea?
Irreversible (2003)
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Reviews Counted:119
Fresh:66
Rotten:53
Average Rating:5.6/10
Consensus: Though well-filmed, Irreversible feels gratuitous in its extreme violence.
Theatrical Release:Mar 7, 2003 Limited
Box Office: $573,018
Synopsis: Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings... Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings at the Telluride and Toronto film festivals earlier this year. The film will be released by Lions Gate Films on March 7, 2003. Even for a director that has been known to invite controversy in films such as Sodomites (1998), Seul contre tous (I Stand Alone) (1998), and Carne (1991), Noé’s Irreversible can still be considered the ultimate in bravura filmmaking. An emotional odyssey that unspools in reverse from gut-wrenching violence to sweetly observed moments of sublime tenderness, the film stars Monica Bellucci and real-life husband Vincent Cassel as a couple whose story is told over the course of a fateful evening in a series of long takes. The film features two unsettling and graphic scenes of violence and sexuality that are difficult to watch. However, these grim sights are nestled within a carefully constructed -- although unconventional -- narrative which serves as a counterpoint to moments of striking tenderness, and the film is in some ways a study of darkness and light. -- © Lions Gate Films [More]
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon, Jo Prestia
Director: Gaspar Noe
Director: Gaspar Noe
Screenwriter: Gaspar Noe
Producer: Christophe Rossignon
Composer: Thomas Bangaltar
Studio: Lions Gate Films
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Reviews for Irreversible
Noé gave up money at the box office to achieve his excruciatingly dark vision. Moviegoers are richer for the sacrifice.
A fascinating study in excess, a movie that seduces and repulses as it explores the merciless nature of fate.
...not a great film, and not an easy one to watch, but it is an important one, a powerful argument against our old ways of doing business
Viewers should be warned that Irréversible means what it says: Your experience of this movie can not be forgotten once the die is cast.
The scenes play out in long, uninterrupted takes -- a feat of impressive technical and astonishing acting prowess.
Noe's summation is an ideological sucker-punch from a filmmaker who gets off on abusive relationships.
While Noe undoubtedly revels in his audience's revulsion, the fact is Irreversible is a painfully thin, uninvolving story.
It's nearly unendurable, but it's neither insensitive nor immoral. Crucially, this is a film that grieves.
The acting, especially from the feral Cassel and self-possessed Bellucci, is good.
So formally and stylistically aggressive that this aspect overpowers what it has to say, which isn't much.
The reverse chronology makes Irreversible a film that structurally argues against rape and violence, while ordinary chronology would lead us down a seductive narrative path toward a shocking, exploitative payoff.
The hard, lurid images catch you in a vise. But dramatically, with few exceptions, it's a mess.
Quando o filme chegou ao fim, confesso que chorei – não pelo que havia acontecido, mas sim em função do que ainda iria acontecer.
Me? I'm going to go watch "The Brady Bunch" to wash these images out of mind. And, I'm going to withstand the fury of those who decide I'm a squeamish wimp.
For those who can stomach it, the film is a marvelous -- though brutal -- work of art.
| Tomatometer Percentage | Movie |
|---|---|
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|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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