Offers much to ponder about the nature of fate, the futility of revenge and the fragility of life.
Irreversible (2003)
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Reviews Counted:119
Fresh:66
Rotten:53
Average Rating:5.6/10
Consensus: Though well-filmed, Irreversible feels gratuitous in its extreme violence.
Theatrical Release:Mar 7, 2003 Limited
Box Office: $573,018
Synopsis: Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings... Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings at the Telluride and Toronto film festivals earlier this year. The film will be released by Lions Gate Films on March 7, 2003. Even for a director that has been known to invite controversy in films such as Sodomites (1998), Seul contre tous (I Stand Alone) (1998), and Carne (1991), Noé’s Irreversible can still be considered the ultimate in bravura filmmaking. An emotional odyssey that unspools in reverse from gut-wrenching violence to sweetly observed moments of sublime tenderness, the film stars Monica Bellucci and real-life husband Vincent Cassel as a couple whose story is told over the course of a fateful evening in a series of long takes. The film features two unsettling and graphic scenes of violence and sexuality that are difficult to watch. However, these grim sights are nestled within a carefully constructed -- although unconventional -- narrative which serves as a counterpoint to moments of striking tenderness, and the film is in some ways a study of darkness and light. -- © Lions Gate Films [More]
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon, Jo Prestia
Director: Gaspar Noe
Director: Gaspar Noe
Screenwriter: Gaspar Noe
Producer: Christophe Rossignon
Composer: Thomas Bangaltar
Studio: Lions Gate Films
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Reviews for Irreversible
Cinematically, there's a fine line between using graphic content to prove a point and using so much graphic material that the film becomes exploitative. It's a line Irreversible repeatedly crosses.
It is a film that raises issues along with blood pressure, and for that it cannot be dismissed.
Only for those with strong stomachs and an appetite for seriously subversive fare.
Viewers should be warned that Irréversible means what it says: Your experience of this movie can not be forgotten once the die is cast.
No star or number rating can convey the experience of this movie, so disregard them. Read what critics are saying and take the warnings seriously. Disturbing, shocking, sad, brutal...and impossible to forget. Many will hate it, as well they should.
Intermixed in the memories it leaves of horror and disgust are glimpses of impressive technique and savvy psychological insight.
There's less to Irreversible than meets even the most unblinking of eyes.
I hope people who go to see this don't walk out in the first ten minutes or after that scene, because I think you have to experience the entire film. And then you can decide whether or not you're offended by it.
Noe's attitude is so arrogant -- you can see it in his director's title card -- that you feel he thinks he's doing something profound.
Since I was one who fled (and at my screening the rate was closer to 60 percent), this is a non-review, but I feel a responsibility to warn readers about this film.
At once overwhelming and inconsequential, harrowing and banal, gimmicky and humourless, overheated and undercooked, this mega-hyped French movie may represent the ultimate triumph of cynicism in the global trade in non-English-language movies.
It's shock for shock's sake, and Noé seems to enjoy rubbing our noses in it.
Is there a point to this spew, a cry against the mongrel violence of men? Or is Noe merely a sadist who enjoys inflicting ugly, pitiless images on his audience?
It is easy to argue that Irreversible is homophobic, and mysogynistic, and more, making it as dangerous as the people it depicts. In the final analysis, that is how I personally feel about it.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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