An integrated work whose form clearly mirrors its content.
Irreversible (2003)
Tomatometer
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Reviews Counted:119
Fresh:66
Rotten:53
Average Rating:5.6/10
Consensus: Though well-filmed, Irreversible feels gratuitous in its extreme violence.
Theatrical Release:Mar 7, 2003 Limited
Box Office: $573,018
Synopsis: Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings... Irreversible is a demanding and audacious but thoroughly rewarding cinematic experience that has been thrilling audiences since its world premiere in Cannes and its North American debut screenings at the Telluride and Toronto film festivals earlier this year. The film will be released by Lions Gate Films on March 7, 2003. Even for a director that has been known to invite controversy in films such as Sodomites (1998), Seul contre tous (I Stand Alone) (1998), and Carne (1991), Noé’s Irreversible can still be considered the ultimate in bravura filmmaking. An emotional odyssey that unspools in reverse from gut-wrenching violence to sweetly observed moments of sublime tenderness, the film stars Monica Bellucci and real-life husband Vincent Cassel as a couple whose story is told over the course of a fateful evening in a series of long takes. The film features two unsettling and graphic scenes of violence and sexuality that are difficult to watch. However, these grim sights are nestled within a carefully constructed -- although unconventional -- narrative which serves as a counterpoint to moments of striking tenderness, and the film is in some ways a study of darkness and light. -- © Lions Gate Films [More]
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon
Starring: Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon, Jo Prestia
Director: Gaspar Noe
Director: Gaspar Noe
Screenwriter: Gaspar Noe
Producer: Christophe Rossignon
Composer: Thomas Bangaltar
Studio: Lions Gate Films
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Reviews for Irreversible
Noe's summation is an ideological sucker-punch from a filmmaker who gets off on abusive relationships.
You say you hated it and it made you throw up? That's the spirit!
Mostly just a tantrum, the sort of stuff Polanski at any stage of his career would've crumpled up and discarded for being too trite.
So formally and stylistically aggressive that this aspect overpowers what it has to say, which isn't much.
The reverse chronology makes Irreversible a film that structurally argues against rape and violence, while ordinary chronology would lead us down a seductive narrative path toward a shocking, exploitative payoff.
The spinning camera tricks may be done to disorient the audience, but they make it an effort to sit and watch the film - when you add in the disturbing content, it's practically impossible.
At a time when filmmakers...seem most concerned with not offending anyone, there's something radically appealing about a film that refuses to coddle its audience and assure them that everything's okay.
The emotional (and ethical) catch is this: though the characters are unable to see beyond their separate, present moments, you know the fallouts from jump.
It's a gritty, vicious assault on the senses, one that very nearly evaporates due to writer-director Gaspar Noé's short-changing of the narrative.
It is a work specifically designed to disturb and disgust, and it accomplishes both goals so completely some people will find it impossible to watch at all.
Once the shock wears off and feeling returns to the extremities, Irreversible is unmistakably life-altering and affirming.
Convinces me as nothing else so far that I have reached the point of diminishing returns with movies that pretend to be profound by having their pulpy, banal stories told backwards and sideways and upside-down.
The hard, lurid images catch you in a vise. But dramatically, with few exceptions, it's a mess.
It feels less like a movie and more like a violation... Noe subverts cheap satisfactions of the genre and questions how we look at revenge pictures in the first place.
It's nearly unendurable, but it's neither insensitive nor immoral. Crucially, this is a film that grieves.
This isn’t a film you merely watch -- it’s a film you survive... or you don’t, if you walk out of it.
Gaspar Noe's horrifying film about rape and revenge erases the boundaries between porn and exploitation.
A project of vast extremes, a flagrant affirmation of absolute darkness and light.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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