The depiction of everyday life at the orphanage is far more compelling than Vanya's personal quest. It's unfortunate that once the Italian hits the road, The Italian loses its way.
The Italian (2007)
Tomatometer
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Reviews Counted:94
Fresh:86
Rotten:8
Average Rating:7.2/10
Consensus: Poignant and unforgettable, The Italian stands out from other European melodramas. Like its extraordinary child lead, this Russian drama about an orphan's search for his birth mother is small in size and monumental in pathos.
Rated: PG-13 [See Full Rating] for some violence, sexual content, language and thematic issues
Runtime: 1 hr 39 mins
Genre: Foreign Films
Theatrical Release:Jan 19, 2007 Limited
Synopsis: Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian... Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian couple who are hoping to adopt a child. Vanya is a handsome, bright-eyed little boy, and the couple takes an instant liking to him, agreeing to give him a home. It is quite clear to the other children, and to little Vanya, that he is in an extremely enviable position. The adoption by the Italians will take Vanya away from the miserable conditions of the orphanage, where the teenagers run a mini-Mafia, taking candy from the children and doling out beatings whenever anyone withholds money from them. Vanya is nervous, though accepting of his fate, until the mother of another orphan comes to reclaim her son, and she is told he has already been adopted. After she is forced off the premises, the woman commits suicide. When Vanya learns of this, he is desperate to find out whether or not his own real mother is still out there. But the greedy adoption agent, known as "Madam" (Maria Kuznetsova), is determined to give Vanya to the Italians, who will pay her a generous sum for him. With the help of another orphan, Vanya makes his escape. He sets off for the address of the orphanage where his mother first left him, hoping to find some answers. While the plot of the ITALIAN may be small-scale, it packs an enormous emotional punch, and Spiridonov's performance is heartbreaking in its realism. The sight of the little boy racing through the grubby streets is reminiscent of another Italian, the round-cheeked Bruno of THE BICYCLE THIEF. Like little Bruno, Vanya will make your heart race with horror and hope, as he struggles to grasp the harsh realities of the adult world. [More]
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov, Vladimir Shipov, Mariya Kuznetsova, Yuri Itskov
Director: Andrey Kravchuk
Director: Andrey Kravchuk
Producer: Andrei Zertsalov
Studio: Sony Pictures Classics
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Reviews for The Italian
Full of cold truths and warm sentiment, this is a Dickensian tale set to the contemporary rhythms of post-Communist Russia.
Director Andrei Kravchuk gives The Italian a Dickensian spirit, full of dire twists, nasty villains and other colorfully seedy characters.
It's a hard-knock life, but the film is less a Dickensian nightmare than an unsettling (if rather benign) metaphor for the new Russia.
Cinematographer Aleksandr Burov captures a land of frost-coated fields, cracked plaster walls and weed-choked railways with a photojournalist's eye for the telling detail.
Kravchuk's depiction of Russian working-class life rings true, most of the time.
Director Andrei Kravchuk infuses his story with a Dickensian mix of benevolence and indifference. The pacing is assured, and his cameras peek through the Russian mist as if watching a fairy tale, uncertain of a happy or cruel ending.
This is a heartbreaker. The little boy, Kolya Spiridonov, loves the camera, and the camera loves him. Interesting way to illustrate contemporary social problems in Russia.
A gritty Russian movie about a plucky and adventuresome orphan who sets out to find his birth mother.
There are shocking and heartbreaking moments scattered throughout The Italian, but [director] Kravchuk approaches them with a nonjudgmental, observational style that avoids most of the pitfalls of melodrama.
A gorgeous, heartbreaking modern fairy tale that felt so real my cynical heart melted, then immediately froze in fear that it was all too real.
For all its sly appraisals, grouty surfaces and hard-luck situations, The Italian is underneath it all a fairy-tale.
Don't let the subtitles put you off...You'll be glad you made the effort.
The picture captures with a piercing sympathy the ambiguous state of post-Glasnost Russia.
The overall mood is crushingly sad. The society's grime and poverty are depicted with pitiless realism.
A waif's doleful eyes make easy tools of manipulation, and, though The Italian is guilty of abusing them for viewer approval, the final shot movingly restores their importance.
A dark fairy tale from Russia, The Italian pulls you into a richly atmospheric, persuasively inhabited world teeming with foundlings and pathos.
With a tensed brow, Kolya Spiridonov plays a boy perpetually hovering between anxiety and dogged determination, and the film walks the same line, unsure about where it's going but always moving forward regardless.
There's much that is commendable in the The Italian, not the least of which are its social criticisms of the buying and selling of children through the adoption businesses currently thriving in Russia and neighboring eastern European countries.
Latest News for The Italian
April 28, 2007:
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January 18, 2007:
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