At times, the difficulties that Vanya encounters strain credulity. The Italian doesn't bother to infuse its characters with complex motivations. They're either Bad or Good.
The Italian (2007)
Tomatometer
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Reviews Counted:94
Fresh:86
Rotten:8
Average Rating:7.2/10
Consensus: Poignant and unforgettable, The Italian stands out from other European melodramas. Like its extraordinary child lead, this Russian drama about an orphan's search for his birth mother is small in size and monumental in pathos.
Rated: PG-13 [See Full Rating] for some violence, sexual content, language and thematic issues
Runtime: 1 hr 39 mins
Genre: Foreign Films
Theatrical Release:Jan 19, 2007 Limited
Synopsis: Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian... Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian couple who are hoping to adopt a child. Vanya is a handsome, bright-eyed little boy, and the couple takes an instant liking to him, agreeing to give him a home. It is quite clear to the other children, and to little Vanya, that he is in an extremely enviable position. The adoption by the Italians will take Vanya away from the miserable conditions of the orphanage, where the teenagers run a mini-Mafia, taking candy from the children and doling out beatings whenever anyone withholds money from them. Vanya is nervous, though accepting of his fate, until the mother of another orphan comes to reclaim her son, and she is told he has already been adopted. After she is forced off the premises, the woman commits suicide. When Vanya learns of this, he is desperate to find out whether or not his own real mother is still out there. But the greedy adoption agent, known as "Madam" (Maria Kuznetsova), is determined to give Vanya to the Italians, who will pay her a generous sum for him. With the help of another orphan, Vanya makes his escape. He sets off for the address of the orphanage where his mother first left him, hoping to find some answers. While the plot of the ITALIAN may be small-scale, it packs an enormous emotional punch, and Spiridonov's performance is heartbreaking in its realism. The sight of the little boy racing through the grubby streets is reminiscent of another Italian, the round-cheeked Bruno of THE BICYCLE THIEF. Like little Bruno, Vanya will make your heart race with horror and hope, as he struggles to grasp the harsh realities of the adult world. [More]
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov, Vladimir Shipov, Mariya Kuznetsova, Yuri Itskov
Director: Andrey Kravchuk
Director: Andrey Kravchuk
Producer: Andrei Zertsalov
Studio: Sony Pictures Classics
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Reviews for The Italian
An odd, beguiling little movie -- about two parts Dickens (with some Dickensian Chaplin thrown in) to one part Italian neorealist cinema.
With a riveting performance by young Kolya Spiridonov as the six year old Vanya, The Italian is a bitter sweet drama that captures the heartbreaking squalor of Russian orphans while highlighting the power of the spirit.
Cinematographer Aleksandr Burov captures a land of frost-coated fields, cracked plaster walls and weed-choked railways with a photojournalist's eye for the telling detail.
From Russia with harsh love, The Italian chronicles one orphaned boy's incredible determination to reunite with his birth mother.
This film from Russia about a child's dream of love and family is poignant and genuine enough to earn classic status.
...the very Russianness of The Italian argues for its worthiness; like Andrei Zvyagintsev's The Return (2004) it provides a glimpse into another, more desperate style of living.
Director Andrei Kravchuk makes a case for the speedy adoption practices of Madonna and Angelina Jolie with his despondent drama.
There's much that is commendable in the The Italian, not the least of which are its social criticisms of the buying and selling of children through the adoption businesses currently thriving in Russia and neighboring eastern European countries.
This is a difficult, disturbing story, with harsh, desperate conditions delicately balanced by one boy's undeniable sense of hope.
What buoys the film and really makes it work are strong performances by its cast, many of them young newcomers.
[The filmmakers] find a plucky heart-tugger in Spiridonov, a child any mother would love to claim as her own.
Sometimes a difficult film can be redeemed with one astonishing end moment. That's the case with The Italian, where the last few moments possess a humanity that elevates all that comes before it.
The ending isn't exactly happily-ever-after, but it leaves you with a deep-down respect and affection for this determined little tyke who perseveres against all odds.
Wise, resilient children aren't especially new to the movies, but when they're presented this sensitively, they're always worth revisiting.
Kravchuk's depiction of Russian working-class life rings true, most of the time.
The overall mood is crushingly sad. The society's grime and poverty are depicted with pitiless realism.
Director Andrei Kravchuk infuses his story with a Dickensian mix of benevolence and indifference. The pacing is assured, and his cameras peek through the Russian mist as if watching a fairy tale, uncertain of a happy or cruel ending.
Latest News for The Italian
April 28, 2007:
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January 18, 2007:
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