A waif's doleful eyes make easy tools of manipulation, and, though The Italian is guilty of abusing them for viewer approval, the final shot movingly restores their importance.
The Italian (2007)
Tomatometer
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Reviews Counted:94
Fresh:86
Rotten:8
Average Rating:7.2/10
Consensus: Poignant and unforgettable, The Italian stands out from other European melodramas. Like its extraordinary child lead, this Russian drama about an orphan's search for his birth mother is small in size and monumental in pathos.
Rated: PG-13 [See Full Rating] for some violence, sexual content, language and thematic issues
Runtime: 1 hr 39 mins
Genre: Foreign Films
Theatrical Release:Jan 19, 2007 Limited
Synopsis: Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian... Despite the title, THE ITALIAN is actually a Russian film set at a bleak orphanage in rural Russia. The story opens when six-year-old Vanya Solntsev (Kolya Spiridonov) is introduced to an Italian couple who are hoping to adopt a child. Vanya is a handsome, bright-eyed little boy, and the couple takes an instant liking to him, agreeing to give him a home. It is quite clear to the other children, and to little Vanya, that he is in an extremely enviable position. The adoption by the Italians will take Vanya away from the miserable conditions of the orphanage, where the teenagers run a mini-Mafia, taking candy from the children and doling out beatings whenever anyone withholds money from them. Vanya is nervous, though accepting of his fate, until the mother of another orphan comes to reclaim her son, and she is told he has already been adopted. After she is forced off the premises, the woman commits suicide. When Vanya learns of this, he is desperate to find out whether or not his own real mother is still out there. But the greedy adoption agent, known as "Madam" (Maria Kuznetsova), is determined to give Vanya to the Italians, who will pay her a generous sum for him. With the help of another orphan, Vanya makes his escape. He sets off for the address of the orphanage where his mother first left him, hoping to find some answers. While the plot of the ITALIAN may be small-scale, it packs an enormous emotional punch, and Spiridonov's performance is heartbreaking in its realism. The sight of the little boy racing through the grubby streets is reminiscent of another Italian, the round-cheeked Bruno of THE BICYCLE THIEF. Like little Bruno, Vanya will make your heart race with horror and hope, as he struggles to grasp the harsh realities of the adult world. [More]
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov
Starring: Denis Moiseenko, Kolya Spiridonov, Sasha Sirotkin, Andrei Yelizarov, Vladimir Shipov, Mariya Kuznetsova, Yuri Itskov
Director: Andrey Kravchuk
Director: Andrey Kravchuk
Producer: Andrei Zertsalov
Studio: Sony Pictures Classics
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Reviews for The Italian
The Italian is not so much about present-day Russia as it is an upbeat fable of what [director Andrei] Kravchuk envisions as its future. It's a wish-fulfillment fantasy posing as hard-edged realism.
For all its sly appraisals, grouty surfaces and hard-luck situations, The Italian is underneath it all a fairy-tale.
A gritty Russian movie about a plucky and adventuresome orphan who sets out to find his birth mother.
The Italian holds us with a timeless simplicity and narrative purity.
An engaging and honest journey through provincial Russia skillfully lensed from the perspective of a six year old. A powerful testimony to the human spirit and a strong statement in favor of the modern family.
The hardships and setbacks are just grim enough to be effective without plunging the viewer into Russian despair.
The picture captures with a piercing sympathy the ambiguous state of post-Glasnost Russia.
Vanya is an immensely likable character; his courage, strength, and determination to succeed keep you on the edge of your seat and rooting for him.
What began as a vivid tour of enclosed institutional rot segues, smartly and seamlessly, into a compelling open-road odyssey.
Full of cold truths and warm sentiment, this is a Dickensian tale set to the contemporary rhythms of post-Communist Russia.
Memorable for its constant, unexpected air of affection, and for the determined little boy at its center.
A gorgeous, heartbreaking modern fairy tale that felt so real my cynical heart melted, then immediately froze in fear that it was all too real.
We soon grow tired of marveling at Vanya's preternatural resourcefulness and plead for the thing to end -- which it soon does in the sappiest possible way, soft-focus close-up and all.
Latest News for The Italian
April 28, 2007:
Trailer & Poster review ![]()
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January 18, 2007:
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