Nora Ephron's films should be this enchanting.
Italian for Beginners (2002)
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Reviews Counted:81
Fresh:71
Rotten:10
Average Rating:7.2/10
Consensus: Unlike many romantic comedies, the charming Italian for Beginners feels natural and genuinely heart-warming.
Rated: R [See Full Rating] for language and some sexuality
Runtime: 1 hr 37 mins
Genre: Foreign Films
Theatrical Release:Jan 18, 2002 Limited
Box Office: $4,409,992
Synopsis: In this beautiful, understated film, every character possesses a naive, heartbreaking honesty and every line communicates the sweet simplicity of basic human longing. From Danish director Lone... In this beautiful, understated film, every character possesses a naive, heartbreaking honesty and every line communicates the sweet simplicity of basic human longing. From Danish director Lone Scherfig (ON OUR OWN), ITALIAN FOR BEGINNERS uses natural lighting, muted cinematography, and a partially improvised script--falling into the Dogme 95 genre. The film is not about learning Italian, though the film's six thirtysomething characters all meet each other through an Italian class at the community center in their quiet, rainy town. The film is about real life and hardship and hope. A nurturing hair stylist, a clumsy bakery clerk, a committed pastor, a foulmouthed waiter, a friendly hotel manager, and a lonely waitress all struggle with the banality of daily life, while dealing with their own unique challenges. But as they begin to reveal themselves and their problems to each other, they form a bond and a network that is both a safety net and a new reason to live. [More]
Starring: Anders W. Berthelsen, Ann Eleonora Jørgensen, Anette Støvelbæk, Peter Gantzler
Starring: Anders W. Berthelsen, Ann Eleonora Jørgensen, Anette Støvelbæk, Peter Gantzler, Lars Kaalund, Sara Indrio Jensen
Director: Lone Scherfig
Director: Lone Scherfig
Screenwriter: Lone Scherfig
Producer: Ib Tardini
Studio: Miramax Films
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Release:
Oct 15, 2002
Reviews for Italian for Beginners
Its humour is droll yet humane, especially compared to the snide sarcasm that passes for dialogue in most sitcoms.
An unadorned and simple work that is one of the most purely pleasurable movies in ages.
Will be of interest for anyone seeking unconventional romantic stories as well as those curious about the development of the Dogme movement.
Despite the drawbacks of the Dogma approach, Italian for Beginners speaks to the universal subject of love in a way that will delight most viewers.
A Danish romantic comedy that provides a soul-satisfying anatomy of the different shades of loneliness and the universal yearning for love.
Human without being overly sentimental, the film is touching and written with humour.
Who'd have thought one could fall in love with a Dogme 95 film? But I have, and this is it. Skoal and bellissima!
breathes new life into the flagging Dogme movement by expanding its potential subjects and exposes Dogme as the childish, superfluous affectation it is.
a humanistic comedy resembling "Celebration" crossed with "Bread and Tulips"
There is pathos in funerals, family issues, and loneliness but it helps the audience connect with the characters and makes them more real - they manage to find laughter even in the darkest of situations.
An engaging Danish movie that rises from the ashes of loneliness and despair to spread feelings of happiness across the screen.
For Hollywood, love is the province of an aristocracy of the Beautiful and the Blessed. But in the world of Italian For Beginners, love is for us.
Italian for Beginners is far from groundbreaking, but the ascetic Dogme aesthetic proves surprisingly appropriate to the romantic genre.
Italian for Beginners is so charming and amusing, so well-written and performed that the Dogma concept becomes irrelevant.
A Danish Nora Ephron movie in Dogma drag, and the result is even more precious than it is tedious.
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