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Italian for Beginners (2002)
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Reviews Counted:81
Fresh:71
Rotten:10
Average Rating:7.2/10
Consensus: Unlike many romantic comedies, the charming Italian for Beginners feels natural and genuinely heart-warming.
Rated: R [See Full Rating] for language and some sexuality
Runtime: 1 hr 37 mins
Genre: Foreign Films
Theatrical Release:Jan 18, 2002 Limited
Box Office: $4,409,992
Synopsis: In this beautiful, understated film, every character possesses a naive, heartbreaking honesty and every line communicates the sweet simplicity of basic human longing. From Danish director Lone... In this beautiful, understated film, every character possesses a naive, heartbreaking honesty and every line communicates the sweet simplicity of basic human longing. From Danish director Lone Scherfig (ON OUR OWN), ITALIAN FOR BEGINNERS uses natural lighting, muted cinematography, and a partially improvised script--falling into the Dogme 95 genre. The film is not about learning Italian, though the film's six thirtysomething characters all meet each other through an Italian class at the community center in their quiet, rainy town. The film is about real life and hardship and hope. A nurturing hair stylist, a clumsy bakery clerk, a committed pastor, a foulmouthed waiter, a friendly hotel manager, and a lonely waitress all struggle with the banality of daily life, while dealing with their own unique challenges. But as they begin to reveal themselves and their problems to each other, they form a bond and a network that is both a safety net and a new reason to live. [More]
Starring: Anders W. Berthelsen, Ann Eleonora Jørgensen, Anette Støvelbæk, Peter Gantzler
Starring: Anders W. Berthelsen, Ann Eleonora Jørgensen, Anette Støvelbæk, Peter Gantzler, Lars Kaalund, Sara Indrio Jensen
Director: Lone Scherfig
Director: Lone Scherfig
Screenwriter: Lone Scherfig
Producer: Ib Tardini
Studio: Miramax Films
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Release:
Oct 15, 2002
Reviews for Italian for Beginners
a delightful romantic comedy with plenty of bite. It’s far from a frothy piece, and the characters are complex, laden with plenty of baggage and tinged with tragic undertones.
As long as Dogme filmmakers continue to exercise this brand of thoughtful, intelligent filmmaking the movement is in safe hands.
There is pathos in funerals, family issues, and loneliness but it helps the audience connect with the characters and makes them more real - they manage to find laughter even in the darkest of situations.
A dramatic comedy as pleasantly dishonest and pat as any Hollywood fluff.
This warm and gentle romantic comedy has enough interesting characters to fill several movies, and its ample charms should win over the most hard-hearted cynics.
Scherfig doesn't let her characters' sadness accumulate, but lets them shed the weight of their emotion by sharing the load.
Human without being overly sentimental, the film is touching and written with humour.
Will be of interest for anyone seeking unconventional romantic stories as well as those curious about the development of the Dogme movement.
This one does a nice job and reminds us that the core of a good film is a good story.
[Scherfig] has made a movie that will leave you wondering about the characters' lives after the clever credits roll.
The combination of lightness and strictness in this instance gives Italian for Beginners an amiable aimlessness that keeps it from seeming predictably formulaic.
An unadorned and simple work that is one of the most purely pleasurable movies in ages.
A charming romantic comedy that is by far the lightest Dogme film and among the most enjoyable.
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