Without a strong script and energetic acting, Dogma films can produce the same sleep-inducing effects as watching your neighbor's home videos.
Italian for Beginners (2002)
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Reviews Counted:81
Fresh:71
Rotten:10
Average Rating:7.2/10
Consensus: Unlike many romantic comedies, the charming Italian for Beginners feels natural and genuinely heart-warming.
Rated: R [See Full Rating] for language and some sexuality
Runtime: 1 hr 37 mins
Genre: Foreign Films
Theatrical Release:Jan 18, 2002 Limited
Box Office: $4,409,992
Synopsis: In this beautiful, understated film, every character possesses a naive, heartbreaking honesty and every line communicates the sweet simplicity of basic human longing. From Danish director Lone... In this beautiful, understated film, every character possesses a naive, heartbreaking honesty and every line communicates the sweet simplicity of basic human longing. From Danish director Lone Scherfig (ON OUR OWN), ITALIAN FOR BEGINNERS uses natural lighting, muted cinematography, and a partially improvised script--falling into the Dogme 95 genre. The film is not about learning Italian, though the film's six thirtysomething characters all meet each other through an Italian class at the community center in their quiet, rainy town. The film is about real life and hardship and hope. A nurturing hair stylist, a clumsy bakery clerk, a committed pastor, a foulmouthed waiter, a friendly hotel manager, and a lonely waitress all struggle with the banality of daily life, while dealing with their own unique challenges. But as they begin to reveal themselves and their problems to each other, they form a bond and a network that is both a safety net and a new reason to live. [More]
Starring: Anders W. Berthelsen, Ann Eleonora Jørgensen, Anette Støvelbæk, Peter Gantzler
Starring: Anders W. Berthelsen, Ann Eleonora Jørgensen, Anette Støvelbæk, Peter Gantzler, Lars Kaalund, Sara Indrio Jensen
Director: Lone Scherfig
Director: Lone Scherfig
Screenwriter: Lone Scherfig
Producer: Ib Tardini
Studio: Miramax Films
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Release:
Oct 15, 2002
Reviews for Italian for Beginners
The result is that rarest of things -- a heartwarming love story that bears not a trace of cheap feeling or false emotion.
Although Scherfig occasionally strays too far into the absurd, the movie is a refreshing change from formulaic romantic comedies.
Italian For Beginners achieves a charming juxtaposition with this setting and story.
Unlike the speedy wham-bam effect of most Hollywood offerings, character development -- and more importantly, character empathy -- is at the heart of Italian for Beginners.
Italian for Beginners is so charming and amusing, so well-written and performed that the Dogma concept becomes irrelevant.
Italian for Beginners is far from groundbreaking, but the ascetic Dogme aesthetic proves surprisingly appropriate to the romantic genre.
Romantic comedy and Dogme 95 filmmaking may seem odd bedfellows, but they turn out to be delightfully compatible here.
In Italian for Beginners, Scherfig has failed at making her story and characters seem ordinary while succeeding at making a very ordinary film.
For Hollywood, love is the province of an aristocracy of the Beautiful and the Blessed. But in the world of Italian For Beginners, love is for us.
There are moments it can be heart-rending in an honest and unaffected (and gentle) way.
breathes new life into the flagging Dogme movement by expanding its potential subjects and exposes Dogme as the childish, superfluous affectation it is.
Despite the drawbacks of the Dogma approach, Italian for Beginners speaks to the universal subject of love in a way that will delight most viewers.
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