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I've Loved You So Long (2008)
Tomatometer
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Reviews Counted:116
Fresh:104
Rotten:12
Average Rating:7.4/10
Consensus: I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel.
Rated: PG-13 [See Full Rating] for thematic material and smoking.
Genre: Foreign Films
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,901,744
Synopsis:
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the...
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again.
Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. Luc and Léa have two adopted Vietnamese daughters, who are 8 and 3 years old. Luc’s father, Papy Paul (Jean-Claude Arnaud) also lives in the house. He’s a charming old man who spends all of his time reading since a stroke deprived him of the power of speech.
Life together isn’t easy to begin with. Juliette has to relearn certain basics. The world has moved on and she often seems confused. Although she may seem cold and distant, her attitude stems more from her being ill at ease. Helped by some, such as the kindly but tactless social worker and her open-hearted but depressed parole officer (Frédéric Pierrot) whose confidante she becomes, Juliette is also rejected by others, particularly employers who throw her out as soon as they find out what she did.
Léa’s attitude is ambiguous. She avoids talking about Juliette’s terrible crime and time in prison at all costs. She wants nothing to blunt the happiness of their reunion and getting to know each other again. Luc mentions it reproachfully, as does Juliette in a different way.
Gradually, the real Juliette emerges. She opens up to the world once more, thanks to her two nieces, with whom she becomes very close after being very stiff with them at the beginning, and Michel (Laurent Grevill), a friend of Léa’s, and Papy Paul, who, in a more symbolic way, knows what it’s like to be locked away. Juliette gets a job as a medical secretary at the local hospital on the condition that she never mentions she used to be a doctor. Her relationship with Léa becomes much stronger and more intimate. Even Luc succeeds in pushing his preconceptions to one side and seeing Juliette as his sister-in-law, not as a murderer.
But a huge questions hangs over Juliette’s renaissance. Why did she do such a terrible thing fifteen years ago? For all the others, it’s a recurrent thought that they dare not put into words. And for Juliette, locked away in her secret, it’s a burden to bear, which holds her back from engaging in her life and believing that she too has the right to be happy.--© Sony Pictures Classics
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill, Frederic Pierrot
Director: Philippe Claudel
Director: Philippe Claudel
Screenwriter: Philippe Claudel
Studio: Sony Pictures Classics
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Reviews for I've Loved You So Long
Despite its flaws, the movie pulls you in with its squarely realistic setting and subdued performances. Best of all is Thomas.
The film deftly sketches a sibling relationship complicated by obligation, guilt, mistrust, and, not least, an abiding love.
This film teaches the rewards of patience for directors, for actors and for audiences, too.
Philippe Claudel's "I've Loved You So Long" finds Kristen Scott Thomas giving one of last year's best performances in one of last year's better films.
Thomas packs infinite amounts of nuance and agony into such moments, and after a while she outraces the movie itself.
This isn't a movie about big emotional breakthroughs, but about the slow thaw taking place in Juliette's heart, and writer-director Philippe Claudel and the actors do an excellent job in charting a series of small, telling steps forward.
This isn't a movie about big emotional breakthroughs, but about the slow thaw taking place in Juliette's heart, and writer-director Philippe Claudel and the actors do an excellent job in charting a series of small, telling steps forward.
A quietly powerful, very moving drama featuring a tour de force from Kristin Scott Thomas.
The movie's fascinating when it tracks Juliette's tentative, almost unwilling progress back into society.
Philippe Claudel is a successful French novelist, so it's odd that his filmmaking debut suffers more from narrative than cinematic flaws.
[Kristin Scott Thomas] keeps a tight rein on her melodramatic instincts throughout. Then, at precisely the right moment, the character's delayed release becomes the audience's gratification.
It would be easy to overrate I've Loved You So Long, which often dampens its best effects with undue tastefulness, but the image of Scott Thomas, with her despairing resilience, stays with one.
The pace builds a degree of tedium, crying out for some cinematic elevation--though not at the expense of the character depth that is the film's sterling attribute.
Richly layered like a novel, with themes ranging from entrapment to romance to fulfillment, this smart, beautiful, even funny movie is an unequivocal pleasure.
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