The film's last-chapter flood of confession and emotion is cathartic for the audience as well as the characters.

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I've Loved You So Long (2008)
Tomatometer
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Reviews Counted:116
Fresh:104
Rotten:12
Average Rating:7.4/10
Consensus: I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel.
Rated: PG-13 [See Full Rating] for thematic material and smoking.
Genre: Foreign Films
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,901,744
Synopsis:
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the...
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again.
Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. Luc and Léa have two adopted Vietnamese daughters, who are 8 and 3 years old. Luc’s father, Papy Paul (Jean-Claude Arnaud) also lives in the house. He’s a charming old man who spends all of his time reading since a stroke deprived him of the power of speech.
Life together isn’t easy to begin with. Juliette has to relearn certain basics. The world has moved on and she often seems confused. Although she may seem cold and distant, her attitude stems more from her being ill at ease. Helped by some, such as the kindly but tactless social worker and her open-hearted but depressed parole officer (Frédéric Pierrot) whose confidante she becomes, Juliette is also rejected by others, particularly employers who throw her out as soon as they find out what she did.
Léa’s attitude is ambiguous. She avoids talking about Juliette’s terrible crime and time in prison at all costs. She wants nothing to blunt the happiness of their reunion and getting to know each other again. Luc mentions it reproachfully, as does Juliette in a different way.
Gradually, the real Juliette emerges. She opens up to the world once more, thanks to her two nieces, with whom she becomes very close after being very stiff with them at the beginning, and Michel (Laurent Grevill), a friend of Léa’s, and Papy Paul, who, in a more symbolic way, knows what it’s like to be locked away. Juliette gets a job as a medical secretary at the local hospital on the condition that she never mentions she used to be a doctor. Her relationship with Léa becomes much stronger and more intimate. Even Luc succeeds in pushing his preconceptions to one side and seeing Juliette as his sister-in-law, not as a murderer.
But a huge questions hangs over Juliette’s renaissance. Why did she do such a terrible thing fifteen years ago? For all the others, it’s a recurrent thought that they dare not put into words. And for Juliette, locked away in her secret, it’s a burden to bear, which holds her back from engaging in her life and believing that she too has the right to be happy.--© Sony Pictures Classics
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill, Frederic Pierrot
Director: Philippe Claudel
Director: Philippe Claudel
Screenwriter: Philippe Claudel
Studio: Sony Pictures Classics
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Reviews for I've Loved You So Long
[The] final twist undoes the film to some degree, [but] it cannot undo Scott Thomas's performance, one of the marvels of this, or any, cinematic year.
Claudel's Juliette is one of the year's great movie characters, and she has earned the right to keep some things just for herself.
Thomas gives it her all, uncorking every ounce of emotion she’d held in check, with Herculean restraint, over the better part of two hours.
[An] exquisitely rendered story of reconciliation and redemption, which has something of a thriller's structure but is really all about relationships.
I've Loved You So Long is about the repercussions of tragedy, the difficulty of being supportive, the need for patience in the face of despair. Without saying much, Scott Thomas carries the entire enterprise on her slender shoulders.
If Scott Thomas’ performance, with her limpid, wounded eyes and her brittle, angular physique, is the movie’s face, then Elsa Zylberstein’s Léa is, in a sense, its mainspring.
Watching this sublime actress, utilizing a minimum of text and a slow-burn intensity, is one of the more exhilarating experiences to be had in a cinema
Kristin Scott Thomas gives a performance that is so chilling, so braced in pain that it's almost impossible to bear. Almost impossible, because, in fact, it's impossible not to behold this riveting piece of role immersion.
Locked into a scheme of formal rigor and peek-a-boo screenwriting, the film is too busy calling attention to its own cleverness to allow any room for emotional connection.
If this movie is as patient, delicate, and introspective as it pretends, what to make of all the bludgeoning, obvious tactics that keep serving to remind us of its impeccable tact?
It's certainly a good film, but its merits seem relatively inconsequential next to the knockout performance by its lead, Scott Thomas ... who uses minimal expressions to convey so much.
Without Kristin Scott Thomas, I've Loved You So Long would be a watchable but hardly a memorable movie.
I've Loved You So Long is a love letter to family. It's an homage to the restorative power of love. It's a gift of forgiveness.
An uneven new French film that plays like a companion piece to the recent British drama Boy A.
Like a good book, I've Loved You So Long unfolds in chapters. And when it ends, you close the cover with emotion and reluctance.
Anchored by Kristin Scott Thomas' searing, downright engrossing performance...
I've Loved You So Long is a heart-rending movie that takes the audience by surprise.
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