This absorbing emotional journey builds to a devastating climax.

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I've Loved You So Long (2008)
Tomatometer
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Reviews Counted:116
Fresh:104
Rotten:12
Average Rating:7.4/10
Consensus: I've Loved You So Long is a sublimely acted family drama as well as a noteworthy directorial debut from Phillipe Claudel.
Rated: PG-13 [See Full Rating] for thematic material and smoking.
Genre: Foreign Films
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,901,744
Synopsis:
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the...
Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again.
Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. Luc and Léa have two adopted Vietnamese daughters, who are 8 and 3 years old. Luc’s father, Papy Paul (Jean-Claude Arnaud) also lives in the house. He’s a charming old man who spends all of his time reading since a stroke deprived him of the power of speech.
Life together isn’t easy to begin with. Juliette has to relearn certain basics. The world has moved on and she often seems confused. Although she may seem cold and distant, her attitude stems more from her being ill at ease. Helped by some, such as the kindly but tactless social worker and her open-hearted but depressed parole officer (Frédéric Pierrot) whose confidante she becomes, Juliette is also rejected by others, particularly employers who throw her out as soon as they find out what she did.
Léa’s attitude is ambiguous. She avoids talking about Juliette’s terrible crime and time in prison at all costs. She wants nothing to blunt the happiness of their reunion and getting to know each other again. Luc mentions it reproachfully, as does Juliette in a different way.
Gradually, the real Juliette emerges. She opens up to the world once more, thanks to her two nieces, with whom she becomes very close after being very stiff with them at the beginning, and Michel (Laurent Grevill), a friend of Léa’s, and Papy Paul, who, in a more symbolic way, knows what it’s like to be locked away. Juliette gets a job as a medical secretary at the local hospital on the condition that she never mentions she used to be a doctor. Her relationship with Léa becomes much stronger and more intimate. Even Luc succeeds in pushing his preconceptions to one side and seeing Juliette as his sister-in-law, not as a murderer.
But a huge questions hangs over Juliette’s renaissance. Why did she do such a terrible thing fifteen years ago? For all the others, it’s a recurrent thought that they dare not put into words. And for Juliette, locked away in her secret, it’s a burden to bear, which holds her back from engaging in her life and believing that she too has the right to be happy.--© Sony Pictures Classics
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill
Starring: Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius, Laurent Grevill, Frederic Pierrot
Director: Philippe Claudel
Director: Philippe Claudel
Screenwriter: Philippe Claudel
Studio: Sony Pictures Classics
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Reviews for I've Loved You So Long
In the drama I've Loved You So Long, Kristin Scott Thomas's furious honesty rules out easy, unearned redemption.
With sparse emotion and very slowly evolving detail, writer/director Philippe Claudel’s mood drama reveals long-held secrets and passions simmering under the radar.
Want a master class in film acting? Check out Kristin Scott Thomas as Juliette, a doctor just out of prison in this spellbinder from writer-director Philippe Claudel.
[Kristin Scott Thomas'] performance is much bigger than the film that contains it.
A literate and lithe French drama about the spiritual transformation of a woman who has spent 15 years in prison.
a career capping performance from Kristin Scott Thomas with wonderful support from Zylberstein, but ... [Claudel] stumbles with his climatic revelation, a contrived piece of writing that turns his already sympathetic heroine into a martyr.
The film deftly sketches a sibling relationship complicated by obligation, guilt, mistrust, and, not least, an abiding love.
Solicitously shepherding us into the shallows of the therapeutic women’s novel, Claudel tamps down his magnificently intransigent Hedda Gabler, and makes her gently weep just when she should be baying at the moon.
In his helming debut, director-screenwriter Philippe Claudel crafts a solid woman’s picture that, as an obvious but no less pleasurable star vehicle for Kristin Scott Thomas, suggests a kinship with Warner Bros. weepies from the 1940s.
Mr. Claudel has made a grown-up film for our troubled time, and created a beautiful rapport between two gifted actresses.
This is an amazing film for a directorial debut, but Mr. Claudel eschews sentimentality with what practically amounts to quiet heroism.
Richly layered like a novel, with themes ranging from entrapment to romance to fulfillment, this smart, beautiful, even funny movie is an unequivocal pleasure.
One of the most intriguing character studies in recent memory; a dialogue heavy drama that never gets dull and will leave you drained from the amount of emotions explored.
I've Loved You So Long is the kind of film that will bore to tears those who do not enjoy simple, unforced character dramas.
Thomas plays Juliette as if she’s trapped within her own body too, gradually learning to navigate her old world. Her performance gives life to a taut narrative.
Scott Thomas is aces in the lead role, with flashes of mordant wit that prevent it from becoming a dreary study in self-pity.
A scintillating drama about pain and healing made with intelligence and compassion.
A top-of-the-range family melodrama sparingly told and austerely framed, Claudel's tale of guilt, grief and redemption will have viewers thinking deep and weeping long.
Superbly directed, beautifully written and emotionally powerful drama with terrific performances by Kristin Scott Thomas and Elsa Zylberstein.
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