Average Rating: 7.4/10
Reviews Counted: 73
Fresh: 63 | Rotten: 10
Tarantino's third film, fashioned as a comeback vehicle for star Pam Grier, offers typical wit and charm -- and is typically overstuffed.
Average Rating: 6.3/10
Critic Reviews: 18
Fresh: 11 | Rotten: 7
Tarantino's third film, fashioned as a comeback vehicle for star Pam Grier, offers typical wit and charm -- and is typically overstuffed.
liked it
Average Rating: 3.5/5
User Ratings: 182,396
Quentin Tarantino wrote and directed this adaptation of Elmore Leonard's 1995 Rum Punch, switching the action from Miami to LA, and altering the central character from white to black. Ruthless arms dealer Ordell Robbie (Samuel L. Jackson), who lives with perpetually stoned beach-babe Melanie (Bridget Fonda), teams with his old buddy Louis Gara (Robert De Niro), just released from prison after serving four years for armed robbery. ATF agent Ray Nicolette (Michael Keaton) and cop Mark Dargus
Dec 25, 1997 Wide
Aug 5, 1998
Miramax Films
All Critics (75) | Top Critics (19) | Fresh (70) | Rotten (10) | DVD (39)
The tale is filled with funny, gritty Tarantino lowlife gab and a respectable body count, but what is most striking is the film's gallantry and sweetness.
Quentin Tarantino puts together a fairly intricate and relatively uninvolving money-smuggling plot, but his cast is so good that you probably won't feel cheated.
The film is more Jarmusch than Peckinpah -- its soul is in the minutiae.
Offers an abundance of pleasures, especially in the realm of characterization and atmosphere.
It's like a scuzz-bucket film noir directed by Stanley Kubrick at his most static-mesmeric.
Working from an Elmore Leonard novel, Tarantino has created a gangster fiction that is never larger than life and sometimes smaller.
A much moodier, slower pace from Tarantino's other work, but Jackie Brown is one enjoyable flick that rewards its audience with each viewing.
might be his best film
Succeeds as a witty Elmore Leonard crime story...but also as a surprisingly affecting mid-life romance. [Blu-ray]
Jackie Brown glides into the digital age as beautiful as ever, and its Blu-ray release offers yet another reason to revisit director Quentin Tarantino's masterpiece on unrequited love.
Tarantino's films aren't so much stories as strings of anecdotes: movie moments, urban myths, conversations strewn with pop culture references.
Mellower Tarantino still has sex, drugs, swearing, murder.
Loaded with all the crisp dialogue, trademark camera work, and memorable characters that we've come to expect from every Tarantino film.
Consider it a superb Elmore Leonard adaptation by a filmmaker who knows how to serve someone else's material while making it his own.
That this modest crime thriller can't quite live up to its audacious dance across so many strata of hip and hommage and self-referential cool it makes your head spin is hardly a surprise, or even a criticism.
When you absolutely, positively got to thrill every mother****er in the room, accept no substitutes. Jackie Brown is the AK-47 in Tarantino's arsenal.
Tarantino's tribute to creative influences, writer Elmor Leonard and blaxploitation star Grier, results in a more mature but less audacious film; last shot, taken from Queen Christina, only shows how magical Garbo was and Grier isn't
It has the feel of a Tarantino film but no real enjoyment from that. The acting is fun not engaging. Overall, the worst of Quentin's good films.
January 3, 2012
Super Reviewer
Like most of Quentin Tarantino's movies, "Jackie Brown" is strung together with sharp dialogue, intriguing characters, intricate camerawork, and engaging plot devices. It's unique but not as colorful and suave as many of Tarantino's other entrees. Similarly, it also doesn't have a particularly "unique" plot -- it's the
October 3, 2011Super Reviewer
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