For anyone interested in a movie that wipes clean the grungy patina of self-delusionment, Jackpot hits solid pay dirt.
Jackpot (2001)
Tomatometer
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Reviews Counted:55
Fresh:16
Rotten:39
Average Rating:4.4/10
Consensus: A somewhat aimless movie that's too artsy for its own good.
Theatrical Release:Jul 27, 2001 Limited
Synopsis:
Jackpot, Nevada is a town one hundred miles south of Twin Falls, Idaho. But “Jackpot” also means the payout of a slot machine – wealth without effort.
For Sunny Holiday (Jon Gries), the pathway...
Jackpot, Nevada is a town one hundred miles south of Twin Falls, Idaho. But “Jackpot” also means the payout of a slot machine – wealth without effort.
For Sunny Holiday (Jon Gries), the pathway to success is to become a country-western singer. Abandoning his beautiful wife Bobbi (Daryl Hannah) and their young baby, he sets off with his manager Lester “Les” Irving (Garrett Morris) on a nine-month, forty-three-city tour through a series of bleak western towns.
The two hit the road in a 1983 pink Chrysler in search of their Anerican dream, with the rhythn of George Jones’ “Grand Tour” perpetually leading them on. They hit one bar after another in one city after another, living on the big payday at the end of each night. They are scraping by (some clubs only pay them with home appliances), but that doesn’t stop Sunny from sending Bobbi lottery tickets every so often -- the ultimate jackpot if one ticket hits, but the most desperate form of child support when they don’t.
Sunny dreams of going to the City of Angels, but Les reminds him, “there is a journey to the pot of gold.” Sunny must pay his dues first. Les guides Sunny – grooming him, choosing his songs, scooping out the judges, negotiating with the competition like Sammy Bones (Mac Davis) to get just the right song, preparing him for an interview with journalist Mel James (Adam Baldwin) and praying before each performance -- always earning his fifteen percent.
On the road, Sunny finds himself a stable of willing but glamourless females, with each encounter less romantic than the last. Janice (Peggy Lipton), a waitress in a club, takes him to her trailer home where his excitement proves too much for him. The next morning he sells her a jug of E-Z Solution extra-strength soap. Sunny Takes Chryle (Crystal Bernard) home after she passes out in the next bathroom stall. There he meets her underage daughter, Tangerine (Camellia Clouse). She seems to have been waiting to have a man in her bed, but Sunny ultimately avoids Tangy’s tempting ways. Sunny and Les seen to be back on track when the police stop them on the highway.
Bobbi has reported the car stolen. Sunny is in jail and his brother Roland (Rich Overton) comes to his aid. He sets up a meeting with Bobbi, who wants him to quit his life on the road. Les bails Sunny out and the two are broke again. Sunny fires Les for mismanaging their money and takes off with two jugs of E-Z Solution – all they have left in the world. When Sunny takes refuge with his brother Tracy (Anthony Edwards), Les tracks him down. -- © 2001 Sony Pictures Classics
Starring: Jon Gries, Garrett Morris, Daryl Hannah, Adam Baldwin
Starring: Jon Gries, Garrett Morris, Daryl Hannah, Adam Baldwin, Crystal Bernard, Mac Davis, Anthony Edwards, Peggy Lipton, Patrick Bauchau, Camilla Clouse, Rick Overton
Director: Michael Polish
Director: Michael Polish
Screenwriter: Mark Polish, Michael Polish
Composer: Stuart Matthewman
Studio: Sony Pictures Classics
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Reviews for Jackpot
Gries labors mightily, in an imploded way, to convince us that the charmless Sunny has talent enough to warrant chasing the brass ring. But Jackpot is bummer theater.
When a karaoke film's blast-from-the-past cameo stands out as its most memorable aspect, the problems shriek that much louder.
Gries and Morris play this luckless, clueless pair with such understanding and presence that they make Sunny and Lester come alive in every scene.
Features stunning imagery, such as a panoramic shot of Sunny's pink Chrysler against a big sky.
If you have nothing to say about nothingness, you make a nothing movie.
The Polishes have shattered their sophomore slump and delivered an even better film than their first.
An acquired taste but a welcome antidote to the Bay-Bruckheimer blockbuster mentality.
Gets by as a curious look at a failed attempt to clutch the American Dream.
Because there is no real chance Sunny will triumph -- Rocky this isn't -- we await the end with the same polite, mildly bemused vacancy with which we await the end of a serious karaoke performance, only without the benefit of alcohol.
Director Michael Polish and cinematographer M. David Mullen can't quite convince us that they're not simply swayed by freak show appeal and the chance to art direct scenes of pretty sadness.
Unfortunately, Jackpot's road-pic theme is the sole justification for its big-screen treatment.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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