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Japon (2003)
Tomatometer
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Reviews Counted:25
Fresh:20
Rotten:5
Average Rating:7.4/10
Consensus: A slow-moving, visually impressive debut.
Theatrical Release:Mar 19, 2003 Limited
Synopsis: Assisted by a cane, the unidentified lead (Alejandro Ferretis) of JAPON limps through a desolate canyon in his trademark red flannel jacket searching for deeper meaning. He has arrived at this... Assisted by a cane, the unidentified lead (Alejandro Ferretis) of JAPON limps through a desolate canyon in his trademark red flannel jacket searching for deeper meaning. He has arrived at this remote Mexican location, escaping the city to paint and find the kind of serenity only nature can provide. Here he stays with Ascen (Magdalena Flores), an elderly woman who cooks for him and cleans his shirts. Ascen has lived on the land for forty years, but her nephew Juan Luis (Martin Serrano) is now reclaiming the land. Juan Luis intends to demolish a building which protects Ascen's modest dwelling, so he can collect money for the stones that hold up the structure. As the unidentified painter tries to get Ascen to fight for her home, he develops a sexual desire for his elderly host. The importance of nature is prevalent throughout Carlos Reygadas' meditative work. Long, luminous takes allow thoughtful reflection as the film takes both its viewers and its protagonist on an existential journey. Adding to the languid beauty of the film is Arvo Part's moving score. [More]
Starring: Alejandro Ferretis, Magdalene Flores, Yolanda Villa, Martin Serrano
Starring: Alejandro Ferretis, Magdalene Flores, Yolanda Villa, Martin Serrano, Rolando Hernandez, Barnabe Perez
Director: Carlos Reygadas
Director: Carlos Reygadas
Screenwriter: Carlos Reygadas
Producer: Carlos Reygadas
Composer: Arvo Pärt
Producer: Jaime Romandia
Studio: Vitagraph Films
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Reviews for Japon
Reygadas has talent to match his ambitions; or, rather, gifts that undercut them sufficiently to give his film a prickly, haunting poignancy.
The breadth and depth of Japon belies its standing as a directorial debut.
obese in length and overflowing in pretension like so many prototypical art films
It's not a movie to see if you're in a hurry, but its deliberate pace and thoughtful mood are refreshing antidotes to the hyperactive speed of most Hollywood pictures.
A notably confident and achieved debut, amazingly shot in 16mm Cinemascope.
If you're in synch with its heartbeat, and with Reygadas' tendency to pursue visual detours that intensify the film's sensual impact, this is a remarkable first effort that is equal parts disturbing, bold, mysterious and primal.
Reygadas grapples with the most elemental of issues ... and the result is sly, touching and more than a little loony.
Should do for Mexican existentialism what Love Liza and Leaving Las Vegas did for good old American gluttony.
Unlike a lot of young filmmakers, the 31-year-old Reygadas takes his ideas about the world and our place in it as seriously as his filmmaking ambitions.
The one thing that is clear from Japón is that a major new visual stylist has hit the screen and that Reygadas' first film represents the beginning of an auspicious career.
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