Reygadas has talent to match his ambitions; or, rather, gifts that undercut them sufficiently to give his film a prickly, haunting poignancy.
Japon (2003)
Tomatometer
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Reviews Counted:25
Fresh:20
Rotten:5
Average Rating:7.4/10
Consensus: A slow-moving, visually impressive debut.
Theatrical Release:Mar 19, 2003 Limited
Synopsis: Assisted by a cane, the unidentified lead (Alejandro Ferretis) of JAPON limps through a desolate canyon in his trademark red flannel jacket searching for deeper meaning. He has arrived at this... Assisted by a cane, the unidentified lead (Alejandro Ferretis) of JAPON limps through a desolate canyon in his trademark red flannel jacket searching for deeper meaning. He has arrived at this remote Mexican location, escaping the city to paint and find the kind of serenity only nature can provide. Here he stays with Ascen (Magdalena Flores), an elderly woman who cooks for him and cleans his shirts. Ascen has lived on the land for forty years, but her nephew Juan Luis (Martin Serrano) is now reclaiming the land. Juan Luis intends to demolish a building which protects Ascen's modest dwelling, so he can collect money for the stones that hold up the structure. As the unidentified painter tries to get Ascen to fight for her home, he develops a sexual desire for his elderly host. The importance of nature is prevalent throughout Carlos Reygadas' meditative work. Long, luminous takes allow thoughtful reflection as the film takes both its viewers and its protagonist on an existential journey. Adding to the languid beauty of the film is Arvo Part's moving score. [More]
Starring: Alejandro Ferretis, Magdalene Flores, Yolanda Villa, Martin Serrano
Starring: Alejandro Ferretis, Magdalene Flores, Yolanda Villa, Martin Serrano, Rolando Hernandez, Barnabe Perez
Director: Carlos Reygadas
Director: Carlos Reygadas
Screenwriter: Carlos Reygadas
Producer: Carlos Reygadas
Composer: Arvo Pärt
Producer: Jaime Romandia
Studio: Vitagraph Films
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Reviews for Japon
A notably confident and achieved debut, amazingly shot in 16mm Cinemascope.
Should do for Mexican existentialism what Love Liza and Leaving Las Vegas did for good old American gluttony.
Reygadas has fashioned a slow-burning meditation on life and death, faith and rebirth.
The breadth and depth of Japon belies its standing as a directorial debut.
This excellent debut by Mexican director Carlos Reygadas exhibits a maturity rarely seen in a first film.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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