Average Rating: 7.4/10
Reviews Counted: 25
Fresh: 20 | Rotten: 5
A slow-moving, visually impressive debut.
Average Rating: 8.1/10
Critic Reviews: 8
Fresh: 8 | Rotten: 0
A slow-moving, visually impressive debut.
liked it
Average Rating: 3.7/5
User Ratings: 1,837
A man on the brink of suicide regains the will to live under decidedly unusual circumstances in this drama from Mexico. A quietly despondent man (Alejandro Ferretis) leaves behind the city for a journey into a quiet village in the valley, telling anyone who cares to know that once he's settled in, he intends to kill himself. The man takes a room with Ascen (Magdalena Flores), and elderly woman who lost her husband some years ago. Keeping to himself, the man paints, thinks, and prepares himself
Mar 19, 2003 Limited
Oct 12, 2004
Mantarraya Producciones
All Critics (31) | Top Critics (8) | Fresh (20) | Rotten (5) | DVD (3)
Unfolding at an elliptical pace that feels like a revelation, or tedium, or both, Japon recalls the glory days of 1970s art-house filmmaking.
Unlike a lot of young filmmakers, the 31-year-old Reygadas takes his ideas about the world and our place in it as seriously as his filmmaking ambitions.
It is the work of a remarkable new talent.
Reygadas has an impressive eye for otherworldly landscapes and an impressive ear, too.
Reygadas has talent to match his ambitions; or, rather, gifts that undercut them sufficiently to give his film a prickly, haunting poignancy.
This debut feature of Carlos Reygadas is a startling achievement.
obese in length and overflowing in pretension like so many prototypical art films
Nothing shy of enthralling.
If you're in synch with its heartbeat, and with Reygadas' tendency to pursue visual detours that intensify the film's sensual impact, this is a remarkable first effort that is equal parts disturbing, bold, mysterious and primal.
Its pretensions have the ring of, if not exactly a vanity project, a strictly personal obsession.
The sacrificed female body is used to resurrect a condemned soul and with her ascension comes the spiritual renewal of (The) Man.
An obscure and haunting and unpredictable parable.
All these references, though, form a jambalaya that doesn't go down so easy.
The one thing that is clear from Japón is that a major new visual stylist has hit the screen and that Reygadas' first film represents the beginning of an auspicious career.
Reygadas grapples with the most elemental of issues ... and the result is sly, touching and more than a little loony.
It's not a movie to see if you're in a hurry, but its deliberate pace and thoughtful mood are refreshing antidotes to the hyperactive speed of most Hollywood pictures.
Strange and beautifully expressive.
Nothingness is the path to victory and in any constant public reactions,this would be the doomsday of most motion pictures.I will admit that Reygadas uses no script whatsoever,but why should i erase his ability to project a serene environment in a hostile manner?
August 29, 2008Super Reviewer
The only thing this movie does well is showing animals being treated like shit. What a piece of garbage...
May 28, 2011
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The Rum Diary, Take Shelter
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