Synopsis:
This set contains two critically acclaimed, action-packed thrillers.
JARHEAD: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's...
This set contains two critically acclaimed, action-packed thrillers.
JARHEAD: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles Jr.--a former Lieutenant who fought in Vietnam--to convert it into a screenplay. Mendes's film strays into FULL METAL JACKET territory as it opens, with young recruit Swofford (Jake Gyllenhaal) undertaking some rigorous basic training under the steely, watchful eye of Staff Sgt. Sykes (Jamie Foxx). Impressed, Sykes invites Swofford to join his team, and partners him with Troy (Peter Sarsgaard), ultimately taking them to Saudi Arabia to fight in the first Gulf War. But once they arrive in the punishing heat of the desert, the long wait for battle sends many of the Marines dangerously close to the brink of insanity. Mendes's film enters into deeply unsettling territory, the likes of which many cinemagoers won't have experienced since Martin Sheen lost his tenuous grip on reality in APOCALYPSE NOW. Indeed, Mendes deploys a few similar tactics to those that made Francis Ford Coppola's 1979 film so effective: a hip soundtrack that uses songs from artists as varied as Public Enemy and the Rolling Stones, and a feeling of disillusionment and futility among the troops that really digs in when the battle finally blackens the desert skies. Avoiding any overt antiwar sentiments, Mendes instead provides a thoughtful account of life as a modern-day soldier, demonstrating how technology has made the average Marine's job all but redundant and created disaffected troops who are as much a threat to each other as the enemies they wait to face in the trenches.
THE BOURNE SUPREMACY: Matt Damon returns as amnesiac assassin Jason Bourne in this fast-paced follow-up to 2002's THE BOURNE IDENTITY. Forced out of hiding as the result of an attempt on his life, Bourne fulfills his earlier promise to wreak vengeance on his former CIA employers, some of whom may be in league with murderous Russians. Brian Cox and Joan Allen are both great as warring agency chiefs convinced Bourne orchestrated the murder of two of their own in a deal gone bad. Thanks to tense, gritty direction by Paul Greengrass (BLOODY SUNDAY), the plot stays tight, the characters believable, and suspense and thrills flow steady. Moody photography enhances the urban European locations, which--combined with handheld camerawork and fast editing--keeps the action realistic and CGI-free. Vividly capturing the fatalist flavor of Robert Ludlum's original novel, this is "globalism noir" at its finest. Franka Potente and Julia Stiles are back from the original, and the always dependable Marton Csokas shows up as one of Bourne's deadly fellow operatives. A rousing car chase through Moscow may outdo the ones in RONIN and THE FRENCH CONNECTION for visceral speed and length. As the icing on the cake, John Powell provides a menacing, ambient percussive score.
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