Average Rating: 7.4/10
Reviews Counted: 33
Fresh: 28 | Rotten: 5
No consensus yet.
Average Rating: 7.1/10
Critic Reviews: 11
Fresh: 9 | Rotten: 2
No consensus yet.
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Average Rating: 4/5
User Ratings: 393
In his short career, Jean-Michel Basquiat was a phenomenon. He became notorious for his graffiti art under the moniker Samo in the late 1970s on the Lower East Side scene, sold his first painting to Deborah Harry for $200, and became best friends with Andy Warhol. Appreciated by both the art cognoscenti and the public, Basquiat was launched into international stardom. However, soon his cult status began to override the art that had made him famous in the first place. Director Tamra Davis pays
Jul 21, 2010 Wide
Nov 9, 2010
$0.3M
Arthouse Pictures
All Critics (34) | Top Critics (12) | Fresh (30) | Rotten (5) | DVD (2)
Tamra Davis's documentary does serve as a worthy companion to Julian Schnabel's 1996 biopic.
In the end the art must speak for the artist; Davis wisely stands aside and lets the magical images tell their tales.
A touching portrait that may not be the last word on the painter, but has facts and context to burn.
The intimate, home video footage -- which has never been shown -- feels poignant, a throwback to Basquiat's early days on the New York scene when he got by on his good looks, an elusive inner confidence, and the generosity of others.
[Davis] underplays the place of drugs in the downtown club scene, treating the artist's heroin use as a nearly unaccountable late affliction.
While it is wonderful to see so many Basquiat paintings, at the film's end the viewer is left feeling complicit in the exploitation.
What may convince viewers of the quality of the art and the genius of its creator is the barrage of so many paintings, flashing each briefly before the eyes.
Basquiat appears to be a slippery subject, not unlike Bob Dylan, who is very difficult to decipher.
Conclusive proof that, in certain exclusive circles, it's still better financially to flameout than to fade away.
[Director Tamra Davis] uses [a rare] interview as the foundation for an eye-opening look at Basquiat?s meteoric career ? and how art, fame, drugs and media collided in this one young man?s life.
When you see J-M's works next to Da Vinci, Picasso and Grey's Anatomy, you can see their influence, but their ideas take on new tone, texture and style under Basquiat's brush.
It's not an easy thing to actually give a sense of a person in a documentary, but Radiant Child pulls it off.
Finally, a film about an artist acknowledges that the art is what's important.
...may not be a well-rounded portrait of the man, but it's a powerful look at the artist.
Fame ultimately wore him down, but we can see Basquiat's influence all around us, on factory walls, in museums, and in Ms. Davis' adoring doc.
A lively and persuasive look at the artist's life, oeuvre, and impact.
An absorbing but fawning documentary about doomed artist Jean-Michel Basquiat, built around an old, never-before-seen interview with him.
Will likely go down as the definitive account of a too-brief career and life...(The film) is fast-moving without sacrificing depth or detail.
Up until now, I knew little about Jean-Michel Basquiat, even though I remember the biopic which had been made about his life and have not seen.(That having been said, David Bowie as Andy Warhol? Really?) That all changes with Tamra Davis' fascinating documentary "The Radiant Child" wherein she adds interview footage
November 18, 2011Super Reviewer
Moving documentary about the brightest star of the 1980s art world. Thrives on Tamra Davis's original interviews with Basquiat, and cavalcade of compelling talking heads to help contextualize his greatness.
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