Chantal Akerman's "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles" is a feminist classic, that force the audience to see the boring, no dreams and automatic life of the title character. A portrait of the repression of the women in the world. Jeanne (Delphine Seyrig), had bad moments in her marriage, where she
always receive bad critics from your husband, meanwhile she make everything at the house. When he dies, she still be a domestic slave, living a mechanic daily routine. Her work as prostitute could be seen as a metaphor for the repression that she suffer by the men.Ms. Akerman use the long scenes and just a few words to show this empty live of Jeanne. All this looks very boring and unnecessary, but along by the film, we see that all was extremely precise for the story. Jeanne Dielman, as the majority of the housewifes, is really careful. And with just a simple gesture of: forget of turn off the light, forget of close the window or the potatoes don't stay ready in the dinner time, these little things, shock the audience, not just because she forget, but because she is do the same activity all day. These are the sign that something this going wrong and that Dielman, in the climax, express her angry in a men."Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles" is a cult film with good actings and direction. A mark in experimental cinema, not for a impatient audience, this little jewel of cinema is an unforgettable film - for good or bad -. Fresh.
October 30, 2011
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