Marvelously inventive, often-ironic Israeli storyteller Etgar Keret and his life- and workmate, Shira Geffen, spin in Jellyfish a dreamy, arty, alluringly cockeyed tale.
Jellyfish (2008)
Tomatometer
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Reviews Counted:54
Fresh:47
Rotten:7
Average Rating:7.2/10
Consensus: Lyrical, well-crafted and inventive, Jellyfish smartly mixes comedy, drama and magic realism.
Theatrical Release:Apr 4, 2008 Limited
Synopsis: Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling... Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling to make ends meet, living in an apartment with a leaky ceiling and working for a wedding caterer, where she gets to serve happy people gathered together to celebrate the institution of marriage. One day on the beach, she sees a little redhaired girl (Nikol Leidman) suddenly walk out of the ocean, and Batya decides to look after the silent child when the police won't help find her parents. Keren (Noa Knoller) is a young woman who has just gotten married to Michael (Gera Adler), but she breaks her leg at the reception after being stuck in the bathroom, forcing them to cancel their Caribbean vacation and instead spend their honeymoon at an Israeli seaside hotel, where her husband starts becoming friendly with an older woman in the top-floor suite. And Joy (Ma-nenita De Latorre) is a Filipino guest worker who has come to Tel Aviv seeking employment as a caregiver to make money to send back to her son in the Philippines. Although she intended to take care of babies, she is instead assigned to elderly women, one of whom dies immediately and another who is bullheaded and outwardly nasty to her. As the three protagonists try to make their way in the world, their lives intersect in unusual and fascinating ways. JELLYFISH, directed by real-life partners and writers Etgar Keret and Shira Geffen and written by Geffen, is a touching, compelling drama about troubled families, parents and children, and loneliness. Instead of making any grand statements, it focuses on the little things in life that can make the difference between being happy and being miserable, keeping hope within grasp. Keret and Geffen, who also play small parts in the film, use water as a metaphor throughout the story: just as every ocean has its jellyfish, life can often sting, but it also can be beautiful. [More]
Starring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller
Starring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller, Ma-nenita De Latorre, Zharira Charifai
Director: Shira Geffen, Etgar Keret
Director: Shira Geffen, Etgar Keret
Screenwriter: Shira Geffen
Producer: Yael Fogiel, Laetitia Gonzalez, Amir Harel, Ayelet Kit
Composer: Christopher Bowen, Gregoire Hetzel
Studio: Zeitgeist Films
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Reviews for Jellyfish
Jellyfish is the kind of movie in which the accidental connections between lonely city dwellers are given a magical glow of serendipity.
Shira Geffen's script is a poignant intersection of the regrettable past and the transitions that must occur to move on. In this 60th-year celebration of Israel, this film feels like the whole country.
[A] tightly constructed, cleverly stylized, serio-comic ensemble piece.
The celebrated Israeli author Etgar Keret and his wife, screenwriter Shira Geffen, directed this luminous foray into magic realism, Tel Aviv style.
I appreciated and admired the craftsmanship of Jellyfish more than I loved it, and I found its whimsical, magic-realist touches a bit cloying.
Provides a diverting portrait of modern-day Israel, as the filmmakers eschew history, politics and religion to focus instead on more intimate and universal issues of fate, loss and the longing to connect.
The directors infuse the film with a short story’s spare dialogue and tight pacing -- the running time is all of 76 minutes -- while subtle visual motifs and judicious moments of magical realism demonstrate cinema at its most elegant.
Light on its feet, deeply human, and fresh in style, this French-Israeli co-production serves up an engaging tale about a group of women struggling with daily life in contemporary Tel Aviv.
A lot does go on in Jellyfish's slight 78 minutes, but it often feels more overdetermined than compelling.
A film of miniature treasures...a lyrical picture, not forceful. Give it some time, and it's almost sure to get under your skin.
Jellyfish, with its pervasive sense of mysticism, is anything but standard, predictable storytelling. What is it exactly? Well, you might as well ask a jellyfish.
While the scene announces the film's intensive focus on water -- a sign of transition, loss and rebirth -- it is also a sign of its stylized poetry, sometimes lovely, sometimes precious.
A surprisingly accessible and easy to watch feature that deservedly won the Critic's Week prize at Cannes.
The offbeat path is now a well-beaten one; perhaps it’s time to try something truly different.
The fact that you care about each and every one of these people is testament to the filmmakers' understanding and abiding humanity.
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