A brief, haunting tale of three women in contemporary Tel Aviv, Jellyfish seems to float in its viewers' consciousness; you'll remember its images long afterward.
Jellyfish (2008)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:54
Fresh:47
Rotten:7
Average Rating:7.2/10
Consensus: Lyrical, well-crafted and inventive, Jellyfish smartly mixes comedy, drama and magic realism.
Theatrical Release:Apr 4, 2008 Limited
Synopsis: Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling... Winner of the Camera d'Or at the 2007 Cannes Film Festival, JELLYFISH (MEDUZOT) is a moving film that follows the travails of three women in modern-day Tel Aviv. Batya (Sarah Adler) is struggling to make ends meet, living in an apartment with a leaky ceiling and working for a wedding caterer, where she gets to serve happy people gathered together to celebrate the institution of marriage. One day on the beach, she sees a little redhaired girl (Nikol Leidman) suddenly walk out of the ocean, and Batya decides to look after the silent child when the police won't help find her parents. Keren (Noa Knoller) is a young woman who has just gotten married to Michael (Gera Adler), but she breaks her leg at the reception after being stuck in the bathroom, forcing them to cancel their Caribbean vacation and instead spend their honeymoon at an Israeli seaside hotel, where her husband starts becoming friendly with an older woman in the top-floor suite. And Joy (Ma-nenita De Latorre) is a Filipino guest worker who has come to Tel Aviv seeking employment as a caregiver to make money to send back to her son in the Philippines. Although she intended to take care of babies, she is instead assigned to elderly women, one of whom dies immediately and another who is bullheaded and outwardly nasty to her. As the three protagonists try to make their way in the world, their lives intersect in unusual and fascinating ways. JELLYFISH, directed by real-life partners and writers Etgar Keret and Shira Geffen and written by Geffen, is a touching, compelling drama about troubled families, parents and children, and loneliness. Instead of making any grand statements, it focuses on the little things in life that can make the difference between being happy and being miserable, keeping hope within grasp. Keret and Geffen, who also play small parts in the film, use water as a metaphor throughout the story: just as every ocean has its jellyfish, life can often sting, but it also can be beautiful. [More]
Starring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller
Starring: Sarah Adler, Nikol Leidman, Gera Sandler, Noa Knoller, Ma-nenita De Latorre, Zharira Charifai
Director: Shira Geffen, Etgar Keret
Director: Shira Geffen, Etgar Keret
Screenwriter: Shira Geffen
Producer: Yael Fogiel, Laetitia Gonzalez, Amir Harel, Ayelet Kit
Composer: Christopher Bowen, Gregoire Hetzel
Studio: Zeitgeist Films
Get This Movie
Reviews for Jellyfish
These stories have as their justification that fact that they are intrinsically interesting. I think that's enough.
It has the modest scope of a short-story collection, with simply but vividly sketched characters that briefly glow within their tales.
A wonderfully complex exploration into people's attempts to control the fates and their own discovered strengths in the wake of illusory failure.
...an intricate weaving of the separate lives of its three [femme]principals. Their story is told with an intelligent understanding of the characters
While the scene announces the film's intensive focus on water -- a sign of transition, loss and rebirth -- it is also a sign of its stylized poetry, sometimes lovely, sometimes precious.
The film has a sense of the genial absurdity of life, a whimsical appreciation of the inescapable randomness of our anything-can-happen existence, of how fragile yet resilient are the bonds that draw people together.
A lot does go on in Jellyfish's slight 78 minutes, but it often feels more overdetermined than compelling.
Etgar Keret and Shira Geffen have made a mysterious film, full of existential anxiety, in which lonely people, all connected to the sea, find ways to repair their lives.
Like Amelie with an attitude, this sinister flick links strangers serendipitously, but with an almost shocking absence of naivete.
It would be easier to recommend it if only, like its characters, it didn't drift quite so easily, aimlessly knocked about by the tide.
There's enough material here for a miniseries, but the directors keep the proceedings to 78 brisk minutes without making the viewer feel cheated.
The fact that you care about each and every one of these people is testament to the filmmakers' understanding and abiding humanity.
I appreciated and admired the craftsmanship of Jellyfish more than I loved it, and I found its whimsical, magic-realist touches a bit cloying.
Jellyfish is the kind of movie in which the accidental connections between lonely city dwellers are given a magical glow of serendipity.
Although it runs 78 minutes, it feels like 78 hours. This is a Jellyfish with no sting.
A film of miniature treasures...a lyrical picture, not forceful. Give it some time, and it's almost sure to get under your skin.
Jellyfish is the kind of film that will ring true for some viewers, while striking others as too slight and precious.
The offbeat path is now a well-beaten one; perhaps it’s time to try something truly different.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Jellyfish at Rotten Tomatoes
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


