Le Joli Mai (1963) - Rotten Tomatoes

Le Joli Mai (1963)

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Movie Info

In this non-traditional documentary about Paris, instead of covering the usual sights and sounds of the city, writer/director Chris Marker takes his film crew to the street and interviews people on the spot and in their homes. Comments range from the French-Algerian conflict and the stock market to everyday problems of housing, homelessness, working conditions and moral and religious observations. Although the classic art and culture that made Paris famous worldwide is discussed, the primary focus is on how Parisians look at themselves and their everyday lives. ~ Dan Pavlides, Rovimore
Rating: Unrated
Genre: Documentary, Drama, Special Interest
Directed By: ,
Written By: Chris Marker, Pierre Lhomme, Catherine Varlin
In Theaters:
On DVD: Nov 26, 2013
Runtime:
Icarus Films

Cast

Yves Montand
as Narrator (French ver...
Simone Signoret
as Narrator (English ve...

News & Interviews for Le Joli Mai

Critic Reviews for Le Joli Mai

All Critics (13) | Top Critics (4)

What helps make Marker and Lhomme's documentary all the more remarkable is its occurring at a moment in history whose specialness only became evident later.

Full Review… | December 5, 2013
Boston Globe
Top Critic

It's never fully uninflected like authentic vérité, but the material gets at a kind of truth: the chatty anxieties of shopkeepers, passersby, mothers and sons, all grappling with the changing world of May 1962.

Full Review… | September 11, 2013
Time Out
Top Critic

Documents on-the-street talks with a wide variety of Paris residents.

Full Review… | September 10, 2013
Village Voice
Top Critic

Full Review… | February 23, 2012
Variety
Top Critic

The people and cinematography are compelling, and so, by extension, is this 1962 documentary.

Full Review… | January 15, 2014
Movie Metropolis

A distinctive preservation of the lives and thoughts of the people in Paris during May 1962.

Full Review… | December 13, 2013
Film Threat

Audience Reviews for Le Joli Mai

½

With the documentary "Le Joli Mai," Chris Marker and Pierre Lhomme attempt to capture a particular time and place, namely May 1962 in Paris. Sadly for them, nothing much was happening that month, just after Algerian independence. But at least we do get a weather report at one point, along with a musical interlude. On a thematic level, it just comes down to political statements and Marker's continuing fascination with all things cats.

Otherwise there are just person on the street interviews which are much more miss than hit, and mostly dull, with the highlights being a couple of Algerian men. In short, this is nowhere near as fluid as some of Marker's later films, and only late do the filmmakers manage something interesting cinematically like the stop motion photography of Paris and the overhead shot of the women's prison where politics again overwhelm the visuals.

Harlequin68
Walter M.

Super Reviewer

It is another man-on-the-street kind of documentary but then it isn't..with extreme political unrest unfolding at the same time, this is a society not at ease with itself. People undertake their day to day activities but with full knowledge that their rights and freedoms may be at risk threatening their existences.

John Ballantine
John Ballantine

Super Reviewer

Holy shaiza, this is top tier Marker. Following in the steps of Rouch/Morin's Chronicle of a Summer and even surpasses that in its expansiveness and its effortless integration of personal, social, and political to present a snapshot of the state of uncertainty in the minds of the Parisian population at the end of the Algerian war, and its critique of the isolation of bourgeois, their racism and materialism (all in good Markeresque humor). The first half of the film consist of Marker and the cameraman interviewing people from various strata of the population on what they consider happiness (and a whole slew of other topics) to be while adding their own opinions to the conversation. The second half places the interviews within the broader frame of contemporary politics and social concerns with newsreel footage. The associative editing prefigures that of Sans Soleil. Also, Marker, who provides plenty of screen-time to his favorite animal, meets his match when he interviews a costume designer who dresses her cat like a barbie doll.

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