33% As Above/So Below Aug 29
34% The November Man Aug 27
98% Starred Up Aug 27
74% The Congress Aug 29
61% Life Of Crime Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
39% If I Stay $15.7M
20% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
46% Sin City: A Dame to Kill For $6.3M
65% The Hundred-Foot Journey $5.3M
20% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Identical Sep 05
—— The Longest Week Sep 05
67% The House of Magic Sep 05
74% God Help the Girl Sep 05

Premieres Tonight

88% The Cosmopolitans: Season One

New Episodes Tonight

100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Discuss Last Night's Shows

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Franklin & Bash: Season 4
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
58% Legends: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
38% Taxi Brooklyn: Season 1
43% Young & Hungry: Season 1

Giulietta degli Spiriti (Juliet of the Spirits) Reviews

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Emanuel Levy

This gorgeously shot, surreal feature about a middle-aged usewife, Fellini's first work in color, stars his wife Masina in their last collaboration together.

Full Review Source: EmanuelLevy.Com | Original Score: A-

February 23, 2012
Cole Smithey


| Original Score: 5/5

June 14, 2008

TV Guide's Movie Guide

Gaudy, more integrated than later Fellini, but this take on feminine psyche lacks vision.

Full Review Source: TV Guide's Movie Guide | Original Score: 3.5/4

August 29, 2006
Jules Brenner
Cinema Signals

| Original Score: 4/5

September 15, 2004
Rich Cline
Shadows on the Wall

Surreal and, yes, haunting.

| Original Score: 4/5

June 12, 2004
Daniel M. Kimmel
Worcester Telegram & Gazette

| Original Score: 3/5

February 8, 2004
Philip Martin
Arkansas Democrat-Gazette

| Original Score: 3/5

January 24, 2003
Patrick Byrne
Apollo Guide

It is arguably Fellini's most personal masterpiece, but those who may have stumbled upon it and don't know much about Fellini's films most certainly couldn't choose a better one to start with.

Full Review Source: Apollo Guide | Original Score: 94/100

April 30, 2002
James Kendrick
Q Network Film Desk

despite Fellini's indulgences, much of the film works largely due to Giulietta Masina's fine performance

| Original Score: 2.5/4

March 17, 2002
Chris Vognar
Dallas Morning News
Top Critic IconTop Critic

A dazzling technical achievement, from the color to the tracking shots that delight in running down every detail of Juliet's companions.

Full Review Source: Dallas Morning News

January 31, 2002
Joe Baltake
Sacramento Bee

The movie that swirls around Masina is a dazzling -- and, for some, incoherent -- production deep into the feminine psyche.

Full Review Source: Sacramento Bee

November 30, 2001
William Arnold
Seattle Post-Intelligencer

The film is just wonderfully ... well, Fellini-esque.

Full Review Source: Seattle Post-Intelligencer | Original Score: B+

August 31, 2001
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

It never less than dazzling to look at.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

August 16, 2001
Michael Wilmington
Chicago Tribune
Top Critic IconTop Critic

A mad, resplendent peacock of a film, a cinematographic riot of color and sensuality that evokes its era -- the swinging mid-'60s -- as much as any movie made during those giddy years.

Full Review Source: Chicago Tribune

August 2, 2001
Kevin Thomas
Los Angeles Times
Top Critic IconTop Critic

At once an eye-popping display of bravura and a work of compassionate insight.

Full Review Source: Los Angeles Times

July 25, 2001
Jeffrey M. Anderson
Combustible Celluloid

Fellini stands on the brink, desperately grabbing at bits of his past, and boldly looking forward to a new future of decadence and garish color (this was his first in color).

Full Review Source: Combustible Celluloid | Original Score: 3/4

June 13, 2001
Jeffrey M. Anderson
San Francisco Examiner

Despite Fellini's best efforts to make her seem dull, Masina anchors the film with her clear-eyed portrayal.

June 13, 2001
Stephen Holden
New York Times
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Fellini went deliriously and brilliantly bananas with the color to create a rollicking through-the- looking-glass series of tableaus evoking a woman's troubled psyche.

Full Review Source: New York Times

May 23, 2001
Dennis Schwartz
Ozus' World Movie Reviews

Visually splendid piece of eye candy that hides behind its gaudy exteriors an emptiness and lack of vision.

Full Review Source: Ozus' World Movie Reviews | Original Score: C

December 17, 2007
Christopher Null

Creative detritus

Full Review Source: | Original Score: 1.5/5

March 1, 2002

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March 26, 2009
Geoff Andrew
Time Out
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February 9, 2006
Robert Denerstein
Denver Rocky Mountain News
Top Critic IconTop Critic

August 9, 2002
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