Juliet of the Spirits (Giulietta degli Spiriti) - Movie Reviews - Rotten Tomatoes

Juliet of the Spirits (Giulietta degli Spiriti) Reviews

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Emanuel Levy
EmanuelLevy.Com
February 23, 2012
This gorgeously shot, surreal feature about a middle-aged usewife, Fellini's first work in color, stars his wife Masina in their last collaboration together.
Full Review | Original Score: A-
Cole Smithey
ColeSmithey.com
June 14, 2008
Sublime.
| Original Score: 5/5

TV Guide's Movie Guide
August 29, 2006
Gaudy, more integrated than later Fellini, but this take on feminine psyche lacks vision.
Full Review | Original Score: 3.5/4
Jules Brenner
Cinema Signals
September 15, 2004
| Original Score: 4/5
Rich Cline
Shadows on the Wall
June 12, 2004
Surreal and, yes, haunting.
| Original Score: 4/5
Daniel M. Kimmel
Worcester Telegram & Gazette
February 8, 2004
| Original Score: 3/5
Philip Martin
Arkansas Democrat-Gazette
January 24, 2003
| Original Score: 3/5
Patrick Byrne
Apollo Guide
April 30, 2002
It is arguably Fellini's most personal masterpiece, but those who may have stumbled upon it and don't know much about Fellini's films most certainly couldn't choose a better one to start with.
Full Review | Original Score: 94/100
James Kendrick
Q Network Film Desk
March 17, 2002
despite Fellini's indulgences, much of the film works largely due to Giulietta Masina's fine performance
| Original Score: 2.5/4
Top Critic
Chris Vognar
Dallas Morning News
January 31, 2002
A dazzling technical achievement, from the color to the tracking shots that delight in running down every detail of Juliet's companions.
Joe Baltake
Sacramento Bee
November 30, 2001
The movie that swirls around Masina is a dazzling -- and, for some, incoherent -- production deep into the feminine psyche.
William Arnold
Seattle Post-Intelligencer
August 31, 2001
The film is just wonderfully ... well, Fellini-esque.
Full Review | Original Score: B+
Top Critic
Roger Ebert
Chicago Sun-Times
August 16, 2001
It never less than dazzling to look at.
Full Review | Original Score: 4/4
Top Critic
Michael Wilmington
Chicago Tribune
August 2, 2001
A mad, resplendent peacock of a film, a cinematographic riot of color and sensuality that evokes its era -- the swinging mid-'60s -- as much as any movie made during those giddy years.
Top Critic
Kevin Thomas
Los Angeles Times
July 25, 2001
At once an eye-popping display of bravura and a work of compassionate insight.
Jeffrey M. Anderson
Combustible Celluloid
June 13, 2001
Fellini stands on the brink, desperately grabbing at bits of his past, and boldly looking forward to a new future of decadence and garish color (this was his first in color).
Full Review | Original Score: 3/4
Jeffrey M. Anderson
San Francisco Examiner
June 13, 2001
Despite Fellini's best efforts to make her seem dull, Masina anchors the film with her clear-eyed portrayal.
Top Critic
Stephen Holden
New York Times
May 23, 2001
Fellini went deliriously and brilliantly bananas with the color to create a rollicking through-the- looking-glass series of tableaus evoking a woman's troubled psyche.
Dennis Schwartz
Ozus' World Movie Reviews
December 17, 2007
Visually splendid piece of eye candy that hides behind its gaudy exteriors an emptiness and lack of vision.
Full Review | Original Score: C
Christopher Null
Filmcritic.com
March 1, 2002
Creative detritus
Full Review | Original Score: 1.5/5
Top Critic

Variety
March 26, 2009
Top Critic
Geoff Andrew
Time Out
February 9, 2006
Top Critic
Robert Denerstein
Denver Rocky Mountain News
August 9, 2002
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