Opening

94% Dawn Of The Planet Of The Apes Jul 11
100% Boyhood Jul 11
9% Rage Jul 11
25% A Long Way Down Jul 11
—— The Class Of '92 Jul 08

Top Box Office

17% Transformers: Age of Extinction $37.1M
24% Tammy $21.6M
85% 22 Jump Street $9.8M
31% Deliver Us from Evil $9.7M
92% How to Train Your Dragon 2 $9.0M
48% Earth to Echo $8.4M
49% Maleficent $6.2M
53% Jersey Boys $5.2M
24% Think Like a Man Too $4.9M
90% Edge of Tomorrow $3.7M

Coming Soon

—— The Purge: Anarchy Jul 18
—— Sex Tape Jul 18
—— Hercules Jul 25
—— Lucy Jul 25
—— Guardians of the Galaxy Aug 01

Premieres Tonight

85% Welcome to Sweden: Season 1
44% Working the Engels: Season 1

New Episodes Tonight

25% Black Box: Season 1
100% Defiance: Season 2
40% Dominion: Season 1
41% Gang Related: Season 1
86% Maron: Season 2
94% Rectify: Season 2
—— Rookie Blue: Season 5

Discuss Last Night's Shows

—— Graceland: Season 2
—— Hot in Cleveland: Season 5
50% Jennifer Falls: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
—— Rogue: Season 2
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
—— Wilfred: Season 4
43% Young & Hungry: Season 1

Just Like A Woman Reviews

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Miriam Bale
New York Times
Top Critic IconTop Critic

It's a shame Ms. Miller has to try so hard, to grimace so much, to add emotional embellishment to compensate for a weak script.

Full Review Source: New York Times | Original Score: 2/5

July 4, 2013
Nick Schager
Village Voice
Top Critic IconTop Critic

A multicultural mini-Thelma and Louise but far duller than that description implies, Just Like a Woman peddles feminist empowerment with one-note didacticism.

Full Review Source: Village Voice

July 2, 2013
Brent Simon
Shockya.com

A phony, tone-deaf female fantasy.

Full Review Source: Shockya.com | Original Score: D+

July 3, 2013
Kerry Lengel
Arizona Republic
Top Critic IconTop Critic

This well-intentioned buddy-road-trip flick lacks the danger, the drama and the sex appeal that most moviegoers will be looking for.

Full Review Source: Arizona Republic | Original Score: 2.5/5

July 4, 2013
Amy Nicholson
Los Angeles Times
Top Critic IconTop Critic

Like belly-dancing itself, this drama is meant for the soul, not the mind - or as Marilyn's instructor commands, "Brains! Stop using them!"

Full Review Source: Los Angeles Times | Original Score: D

July 8, 2013
Todd Jorgenson
Cinemalogue.com

... completely falls apart amid a collection of heavy-handed cliches.

Full Review Source: Cinemalogue.com

July 22, 2013
David Fear
Time Out New York
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Movies genuinely attuned to the nuances of female bonding are regrettably rare; so, it seems, are ones that know how to make good on their promise without breaking just like a little girl.

Full Review Source: Time Out New York | Original Score: 2/5

July 2, 2013
Frank Swietek
One Guy's Opinion

While one can sympathize with the subjects Bouchareb is exploring here, his picture strives for a great deal more than it actually delivers.

Full Review Source: One Guy's Opinion | Original Score: C-

July 3, 2013
Marc Mohan
Oregonian

Not enough happens on this empowerment road trip to fill even a sub-90-minute running time, and the climax resorts to trite, unearned melodrama.

Full Review Source: Oregonian | Original Score: C

July 4, 2013
Peter Keough
Boston Globe
Top Critic IconTop Critic

Bouchareb fails to turn his outsider's point of view into new insights, and instead takes the easy route, falling back on familiar stereotypes in his tour of US misogyny and xenophobia.

Full Review Source: Boston Globe | Original Score: 2/4

July 4, 2013
Elizabeth Weitzman
New York Daily News
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Just like its meaningless title, Rachid Bouchareb's disappointing drama evokes better works without developing any distinct identity of its own.

Full Review Source: New York Daily News | Original Score: 2/5

July 4, 2013
Cary Darling
Fort Worth Star-Telegram/DFW.com

The problem with the film, directed by France's Rachid Bouchareb from a script by Joelle Touma and Marion Doussot, is that the men are mostly one-dimensional louts.

Full Review Source: Fort Worth Star-Telegram/DFW.com | Original Score: 3/5

July 4, 2013
David Noh
Film Journal International

Although branded throughout by a heavily mournful identification with these terribly wronged women's plights, the film is nevertheless silly in the extreme.

Full Review Source: Film Journal International

July 8, 2013
Farran Smith Nehme
New York Post
Top Critic IconTop Critic

[Miller and Farahani] give strong performances as women bonding over their delight in both movement and their own beauty.

Full Review Source: New York Post | Original Score: 3/4

July 3, 2013
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