Average Rating: 3.5/10
Reviews Counted: 14
Fresh: 2 | Rotten: 12
No consensus yet.
Average Rating: 2.7/10
Critic Reviews: 5
Fresh: 0 | Rotten: 5
No consensus yet.
Average Rating: 3.3/5
User Ratings: 1,193
K-11 follows Raymond Saxx Jr. (Goran Visnjic), a powerful record producer who wakes from a drug-induced blackout to find himself locked up and classified "K-11." Plunged into a nightmarish world ruled by a transsexual diva named Mousey (Kate del Castillo), Raymond is truly a fish out of water. Complicating matters are a troubled young transgender named Butterfly (Portia Doubleday), a predatory child molester (Tommy 'Tiny' Lister) and the ruthless Sheriff's Deputy, Lt. Johnson (D.B. Sweeney).
Mar 15, 2013 Limited
Apr 23, 2013
Breaking Glass Pictures - Official Site
Raymond Saxx Jr.
Kate del Castillo
Lt. Gerald Johnson
Tommy 'Tiny' Lister
Lou Beatty Jr.
Ralph Cole Jr.
Tim De Zarn
Michael Shamus Wiles
Arresting Officer #2
Inmate Stern (in Yel...
Lisa K. Wyatt
Pill Call Nurse
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A sordid prison drama that struts an unsteady line between full-on camp and "Oz"-style Darwinism.
"K-11" has the makings of a cult movie campfest but little of the authentic wit, edge or outré vision it would take to get there.
Like an on-the-nose parody of Lee Daniels directing an episode of Oz, K-11 is a pulpy, tone-deaf mess of confused directorial intent ...
An interesting, if deeply flawed film about the backroom machinations of a gays-only ward at a local prison.
K-11 is far too messy and unfocused, growing more unbearable and baffling with every directorial and editorial mistake Stewart makes.
Who knew there was a special K-11 inmate division for LGBT criminals to run the dormitory, take drugs, dress up and have sex with the guards?
A pulpy, psychologically hollow and emotionally indiscernible mélange of phony jailhouse intrigue and showy gender-politicking, with a bit of anal rape sprinkled in.
Stuck in that valley of being bad, but not so bad that it's actually good.
I'm not quite sure why Stewart felt compelled to make this movie, but to her credit I guess, she commits to the story she's telling, as lurid, unpleasant and ultimately pointless as it may be.
Jules Stewart makes a confident directorial debut. Although the screenplay comes perilously close at times to sensationalizing or stereotyping the characters, Stewart wisely resists.
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