Despite its length, it never drags.
Kagemusha (1980)
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Reviews Counted:19
Fresh:16
Rotten:3
Average Rating:7.5/10
Runtime: 3 hrs
Genre: Foreign Films
Synopsis: In this dazzling epic from Akira Kurosawa, a petty thief named Kagemusha (Tatsuya Nakadai) gets saved from a death sentence because he resembles the warlord Shingen Takeda (also Nakadai). The... In this dazzling epic from Akira Kurosawa, a petty thief named Kagemusha (Tatsuya Nakadai) gets saved from a death sentence because he resembles the warlord Shingen Takeda (also Nakadai). The warlord has been fighting two other leaders for control of 16th-century Japan and impersonators often take his place during battles to put him out of harm's way. Because of Kagemusha's strong physical similarities to the warlord, he's a perfect choice for a "shadow warrior." However, the arrangement suddenly changes when Shingen gets fatally wounded while watching a battle. Adhering to Shingen's final wish, the warlord's men keep the death a secret, and Kagemusha struggles to transform himself from a criminal into a leader. KAGEMUSHA marked a welcome return for the legendary director, who had not made a movie since 1974. Nakadai, a supporting player in earlier Kurosawa films, expertly portrays the leading role(s), almost always filled in the past by Toshirô Mifune. KAGEMUSHA also features the final screen appearance of longtime Kurosawa actor, Takashi Shimura. In order to help the film get an international release, Francis Ford Coppola and George Lucas served as executive producers. [More]
Starring: Tatsuya Nakadai, Tsutomu Yamazaki, Kenichi Hagiwara, Takashi Shimura
Starring: Tatsuya Nakadai, Tsutomu Yamazaki, Kenichi Hagiwara, Takashi Shimura
Director: Akira Kurosawa
Director: Akira Kurosawa
Screenwriter: Masato Ide, Akira Kurosawa
Producer: Tomoyuki Tanaka, Akira Kurosawa
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Release:
Aug 18, 2009
Reviews for Kagemusha
Nakadai’s performance as Kagemusha and Shingen is impressive, creating two distinct characters, one of whom eerily mimics the other
Though not as overall impressive as his next picture Ran, Kagemusha, Akira Kurosawa's return to the epic Samurai film deservedly received Oscar nominations for its great pictorial beauty and other production values.
Kagemusha, much like the similarly overblown but handsomely mounted Lawrence of Arabia, is an epic with a cipher in its point position.
At worst, the film is an empty vessel that places blind trust in affected stillness and symmetry... the movie quite often switches on a dime to more deep and meaningful textures.
A fine example of the Kurosawa style...precision of narrative in both scripting and imagistic storytelling... [Blu-ray]
Here, as in all of Kurosawa’s late films, this sense of hopeless fixity renders unconvincing any hope for human agency.
There is beauty in Kagemusha but it is impersonal, distant and ghostly. The old master has never been more rigorous.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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