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Movies / On DVD / Kagemusha
Kagemusha

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Kagemusha (1980)

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Reviews Counted:19

Fresh:16

Rotten:3

Average Rating:7.5/10

Runtime: 3 hrs

Genre: Foreign Films

Synopsis: In this dazzling epic from Akira Kurosawa, a petty thief named Kagemusha (Tatsuya Nakadai) gets saved from a death sentence because he resembles the warlord Shingen Takeda (also Nakadai). The... In this dazzling epic from Akira Kurosawa, a petty thief named Kagemusha (Tatsuya Nakadai) gets saved from a death sentence because he resembles the warlord Shingen Takeda (also Nakadai). The warlord has been fighting two other leaders for control of 16th-century Japan and impersonators often take his place during battles to put him out of harm's way. Because of Kagemusha's strong physical similarities to the warlord, he's a perfect choice for a "shadow warrior." However, the arrangement suddenly changes when Shingen gets fatally wounded while watching a battle. Adhering to Shingen's final wish, the warlord's men keep the death a secret, and Kagemusha struggles to transform himself from a criminal into a leader. KAGEMUSHA marked a welcome return for the legendary director, who had not made a movie since 1974. Nakadai, a supporting player in earlier Kurosawa films, expertly portrays the leading role(s), almost always filled in the past by Toshirô Mifune. KAGEMUSHA also features the final screen appearance of longtime Kurosawa actor, Takashi Shimura. In order to help the film get an international release, Francis Ford Coppola and George Lucas served as executive producers. [More]

Starring: Tatsuya Nakadai, Tsutomu Yamazaki, Kenichi Hagiwara, Takashi Shimura

Starring: Tatsuya Nakadai, Tsutomu Yamazaki, Kenichi Hagiwara, Takashi Shimura

Director: Akira Kurosawa

Director: Akira Kurosawa
Screenwriter: Masato Ide, Akira Kurosawa
Producer: Tomoyuki Tanaka, Akira Kurosawa

[See More Credits]

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Release:

Aug 18, 2009

[DVD Details]
 
 
  • In his late color masterpiece "Kagemusha (The Shadow Warrior)," director Akira Kurosawa returned to the samurai film and to a primary theme of his celebrated career-the play between illusion and reality. Sumptuously reconstructing the splendor of feudal Japan and the pageantry of war, Kurosawa creates a soaring historical epic that is also a somber meditation on the nature of power.
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    Reviews for Kagemusha

    • T-Meter Critics
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    1 - 20 (sorted by fresh rating)
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    Despite its length, it never drags.

    Full Review Source: Eye for Film | comment Comment
    07/09/02
    Amber Wilkinson
    Amber Wilkinson
    Eye for Film

    No review available.

    comment Comment
    12/01/03
    Brian Gibson
    Brian Gibson
    Vue Weekly (Edmonton, Canada)

    No review available.

    comment Comment
    03/24/07
    Brian Tallerico
    Brian Tallerico
    UGO

    No review available.

    comment Comment
    10/31/03
    Carol Cling
    Carol Cling
    Las Vegas Review-Journal

    Nakadai’s performance as Kagemusha and Shingen is impressive, creating two distinct characters, one of whom eerily mimics the other

    Full Review Source: Filmcritic.com | comment Comment
    01/26/05
    David Thomas
    David Thomas
    Filmcritic.com

    A powerful film.

    Full Review Source: rec.arts.movies.reviews | comment Comment
    10/02/02
    Dragan Antulov
    Dragan Antulov
    rec.arts.movies.reviews

    Though not as overall impressive as his next picture Ran, Kagemusha, Akira Kurosawa's return to the epic Samurai film deservedly received Oscar nominations for its great pictorial beauty and other production values.

    Full Review Source: EmanuelLevy.Com | comment Comment
    06/26/05
    Emanuel Levy
    Emanuel Levy
    EmanuelLevy.Com

    Kagemusha, much like the similarly overblown but handsomely mounted Lawrence of Arabia, is an epic with a cipher in its point position.

    Full Review Source: Slant Magazine | comment Comment
    08/21/09
    Eric Henderson
    Eric Henderson
    Slant Magazine

    No review available.

    comment Comment
    07/17/05
    Jake Euker
    Jake Euker
    F5 (Wichita, KS)

    No review available.

    comment Comment
    12/11/07
    John A. Nesbit
    John A. Nesbit
    Old School Reviews

    At worst, the film is an empty vessel that places blind trust in affected stillness and symmetry... the movie quite often switches on a dime to more deep and meaningful textures.

    Full Review Source: Time Out New York | comment Comment
    07/15/09
    Keith Uhlich
    Keith Uhlich
    Time Out New York

    No review available.

    comment Comment
    03/15/05
    Mark R. Leeper
    Mark R. Leeper
    rec.arts.movies.reviews

    No review available.

    comment Comment
    01/29/04
    Nicolas Lacroix
    Nicolas Lacroix
    EnPrimeur.ca

    A fine example of the Kurosawa style...precision of narrative in both scripting and imagistic storytelling... [Blu-ray]

    Full Review Source: Groucho Reviews | comment 2 Comments
    08/05/09
    Peter Canavese
    Peter Canavese
    Groucho Reviews

    No review available.

    comment Comment
    03/09/04
    Robin Clifford
    Robin Clifford
    Reeling Reviews

    There are great images in this film.

    Full Review Source: Chicago Sun-Times | comment Comment
    10/23/04
    Roger Ebert
    Roger Ebert
    Chicago Sun-Times
    Top Critic Icon Top Critic

    Dull and plodding presentation of an interesting period of Japanese history.

    comment Comment
    03/19/03
    Brian Mckay
    Brian Mckay
    eFilmCritic.com

    Here, as in all of Kurosawa’s late films, this sense of hopeless fixity renders unconvincing any hope for human agency.

    Full Review Source: Not Coming to a Theater Near You | comment Comment
    04/29/05
    Leo Goldsmith
    Leo Goldsmith
    Not Coming to a Theater Near You

    There is beauty in Kagemusha but it is impersonal, distant and ghostly. The old master has never been more rigorous.

    Full Review Source: New York Times | comment 1 Comment
    05/20/03
    Vincent Canby
    Vincent Canby
    New York Times
    N/R

    Click to read the article

    Full Review Source: Variety | comment Comment
    07/22/08
    Variety
     
     
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